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I Know This Because Talbott Knows This: Chuck Palahniuk's 'Adjustment Day'

Adjustment Day may not be peak Palahniuk, but it is nonetheless entertaining and twistedly educational, providing abundantly peculiar and original paths within one of his most astute and necessary social commentaries to date.

Books

Three Stylish British Silents: 'Shooting Stars', 'Underground' and 'The Informer'

While Anthony Asquith's Shooting Stars and Underground look excellent on Kino Lorber's digital restoration, Arthur Robison's The Informer, looks most spectacular, thanks to working from the original negative and a tinted nitrate print.

Film

'Hail Satan?' Is Devilishly Fun

Documentarian Penny Lane challenges you to leave behind your preconceptions and give the Devil his due in this irreverent, entertaining look at the Satanic Temple, Hail Satan?

Film

Satire's American King Bret Easton Ellis Whites Himself Out with Alleged Work of Non-Fiction, 'White'

Let's pretend for a moment that Bret Easton Ellis is capable of such a staggering feat of truth-telling, and read White as if it is indeed a work of nonfiction.

Books

Joseph Scapellato's 'The Made-Up Man' Brings Forth 21st Century Absurdism

In rendering his most avant-garde characters as members of a kind of self-help conspiracy in The Made-Up Man, Joseph Scapellato offers not an update but a revision of absurdism, and as such, many social phenomena ripe for satire get off easy.

Books

Overlooking the Overstatement: On Shirley Jackson's "The Lottery" and Bojack Horseman's "Thoughts and Prayers" Episode

If Shirley Jackson's simple parable, "The Lottery", couldn't inspire self-reflection in an arguably simpler time, one has to wonder what messages today -- such as that of Bojack Horseman's "The Lottery" episode -- are falling on deaf ears in these times of increasing gun violence in America.

Books

'Vice', Dick Cheney, and the Satisfaction of the Deed Itself

Adam McKay's gonzo Dick Cheney biopic satire, Vice, won't be compared to Shakespeare, but it shares the Bard's disinterest in supervillains' motivations.

Film

David Ireland's 'Ulster American' Satirizes Oppressive Double Standards

Winner of the coveted Carol Tambor Best of Edinburgh Award in 2018, Ulster American is primed to contribute to societal narratives while lampooning contemporary injustices.

Books

The Coen Brothers Tackle Short Story in Film Again with 'The Ballad of Buster Scruggs '

Not their first foray into bringing the short story form to cinema, the Coen Brothers' The Ballad of Buster Scruggs affirms, sadly, that in this regard, cinema is the lesser storytelling form.

Film

The Coen Brothers' 'The Ballad of Buster Scruggs' Is American Myth in Vignette

In the Coen Brothers' The Ballad of Buster Scruggs, there's something altogether new about having revisionist western ideas filtered through their rich sense of character, black comedy, and their penetrating awareness of humanity's fatal imperfections.

Film

Making Troy Great Again: On Shakespeare's 'Troilus and Cressida' and Trump's Ugly Political Rhetoric

The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.

Theatre

NYFF 2018: 'Diamantino' Beautifully Satirizes Ugly Politics from the Ethers

Diamantino's astounding surrealistic introduction soon unfolds into an ethereal genre-mashup.

Film

'Lake Success' Is a Picaresque Journey to Nowhere

Gary Shteyngart's state of the nation satire about a billionaire on the run doesn't tell us much about anything.

Books

'Nightcrawler' and the Brand Called Lou Bloom™

The personal branding phenomenon is an ongoing crisis of humanity.

Film

'Art Comic' Is a Comedic Comic of Artful Artlessness

Matthew Thurber's Art Comic lampoons the art world by wallowing in its shallowest waters.

Books

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Adjustment Day may not be peak Palahniuk, but it is nonetheless entertaining and twistedly educational, providing abundantly peculiar and original paths within one of his most astute and necessary social commentaries to date.

While Anthony Asquith's Shooting Stars and Underground look excellent on Kino Lorber's digital restoration, Arthur Robison's The Informer, looks most spectacular, thanks to working from the original negative and a tinted nitrate print.

Documentarian Penny Lane challenges you to leave behind your preconceptions and give the Devil his due in this irreverent, entertaining look at the Satanic Temple, Hail Satan?

Let's pretend for a moment that Bret Easton Ellis is capable of such a staggering feat of truth-telling, and read White as if it is indeed a work of nonfiction.

In rendering his most avant-garde characters as members of a kind of self-help conspiracy in The Made-Up Man, Joseph Scapellato offers not an update but a revision of absurdism, and as such, many social phenomena ripe for satire get off easy.

If Shirley Jackson's simple parable, "The Lottery", couldn't inspire self-reflection in an arguably simpler time, one has to wonder what messages today -- such as that of Bojack Horseman's "The Lottery" episode -- are falling on deaf ears in these times of increasing gun violence in America.

Adam McKay's gonzo Dick Cheney biopic satire, Vice, won't be compared to Shakespeare, but it shares the Bard's disinterest in supervillains' motivations.

Winner of the coveted Carol Tambor Best of Edinburgh Award in 2018, Ulster American is primed to contribute to societal narratives while lampooning contemporary injustices.

Not their first foray into bringing the short story form to cinema, the Coen Brothers' The Ballad of Buster Scruggs affirms, sadly, that in this regard, cinema is the lesser storytelling form.

In the Coen Brothers' The Ballad of Buster Scruggs, there's something altogether new about having revisionist western ideas filtered through their rich sense of character, black comedy, and their penetrating awareness of humanity's fatal imperfections.

The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.

Diamantino's astounding surrealistic introduction soon unfolds into an ethereal genre-mashup.

Gary Shteyngart's state of the nation satire about a billionaire on the run doesn't tell us much about anything.

Is a "theology of humor" viable?

The personal branding phenomenon is an ongoing crisis of humanity.

Matthew Thurber's Art Comic lampoons the art world by wallowing in its shallowest waters.