Humorists have served as the conscience of cultures ever since (and before) court jesters ridiculed omnipotent royalty for its hypocrisy, pomposity, and corruption. Punk continues to fulfill that essential social role in relation to the powers-that-be of the modern world.
If you want lessons in womanizing, dressing to the nines, or ordering martinis, James Bond is your man. If, however, you’re looking for a review of British music history over the last 50 years, the world’s favorite secret agent has no idea what he’s doing.
"It's not just a bunch of Bowie freaks creating punk whilst hanging around the Sex shop. It's not just the Clash's heroic quest. It's also the foot soldiers of the revolution: the smaller groups, the less-hip groups."
At a time when factions of the punk movement were trying to establish a collective identity, Johnny Rotten maintained an outsider stance while ripping into the darlings of the hip punk set with the same ferocity he applied to the living dinosaurs of establishment rock.
This year marks the 20th anniversary of Nirvana's Nevermind and Pearl Jam's Ten. In revisiting the grunge genre which altered the musical landscape two decades ago, the question arises: was this our last musical revolution?