
Seefeel’s ‘Sol.hz’ Offers a Disorienting Clarity
Seefeel are less interested in constructing songs than sustaining a shifting field of texture, where familiar signposts dissolve as quickly as they emerge.

Seefeel are less interested in constructing songs than sustaining a shifting field of texture, where familiar signposts dissolve as quickly as they emerge.

A Place to Bury Strangers resurrect lost obscurities for a record that paints a map of their past and future simultaneously. Oliver Ackerman describes the process.

Irish dream pop artist Maria Somerville kicked off her US tour in Burlington, Vermont. On 21 March, she played to an intimate, captive crowd at Higher Ground.

Exit Dream’s Out Your Skin” combines post-rock with hardcore roots and pop songwriting to create a cinematic soundscape.

With Hard Hearted Woman, Ora Cogan showcases that, in a patriarchal world, you have to be literally and figuratively ready to fight, body and soul.

Grungegaze is a ubiquitous part of 2026’s rock underground. How did this genre grow from a small group of friends in the 2010s to blossom into a viral internet sensation?

Lucid Express might be restless and eager to defy pigeonholing and complacency. That’s good, but in the process, they’ve made an album that often feels overstuffed.

Rock guitars form the central DNA of KEELEY’s new record, Girl on the Edge of the World, for all the glory it can muster.

Syd dePalma’s Paris is dreamlike. Echoes abound, sculpting recognizable rock, folk, and pop stylings into imaginative new shapes.

Slow Crush’s Thirst has scattered interesting musical moments, but much of it is buried under constant guitar noise and not enough melody.

Flint, Michigan band Greet Death’s latest album is a triumph of accepting endings and appreciating life’s pleasures in their time.

Singer Ellie Rowsell shines as a genuine rock god goddess as Wolf Alice rock a dazzling array of sonic flavors. It’s been a sensational night in Oakland.