
Ora Cogan Is a ‘Hard Hearted Woman’
With Hard Hearted Woman, Ora Cogan showcases that, in a patriarchal world, you have to be literally and figuratively ready to fight, body and soul.

With Hard Hearted Woman, Ora Cogan showcases that, in a patriarchal world, you have to be literally and figuratively ready to fight, body and soul.

Grungegaze is a ubiquitous part of 2026’s rock underground. How did this genre grow from a small group of friends in the 2010s to blossom into a viral internet sensation?

Lucid Express might be restless and eager to defy pigeonholing and complacency. That’s good, but in the process, they’ve made an album that often feels overstuffed.

Rock guitars form the central DNA of KEELEY’s new record, Girl on the Edge of the World, for all the glory it can muster.

Syd dePalma’s Paris is dreamlike. Echoes abound, sculpting recognizable rock, folk, and pop stylings into imaginative new shapes.

Slow Crush’s Thirst has scattered interesting musical moments, but much of it is buried under constant guitar noise and not enough melody.

Flint, Michigan band Greet Death’s latest album is a triumph of accepting endings and appreciating life’s pleasures in their time.

Singer Ellie Rowsell shines as a genuine rock god goddess as Wolf Alice rock a dazzling array of sonic flavors. It’s been a sensational night in Oakland.

As with shoegaze’s crescendoing textures, there’s a sheer force of sensory feeling in Virginia Woolf’s verisimilitude.

Greet Death’s Die in Love is destined to be a go-to for when the pain of life needs balance with some hope, and that is a year-round need.

Hotline TNT achieve a brighter sound on Raspberry Moon, as Will Anderson celebrates his new love and welcomes songwriting contributions from his band.

Blonde Redhead prove they’ve got just as much style as substance on their new record. They follow their instincts and make remarkably well-crafted music.