
Pink Floyd’s ‘The Wall’ and the Three Ghosts of Subjectivity
Every brick in Pink Floyd’s The Wall shows that haunting lies not in wailing and chain-rattling but in trauma, alienation, and absence.

Every brick in Pink Floyd’s The Wall shows that haunting lies not in wailing and chain-rattling but in trauma, alienation, and absence.
Andrew Nagorski’s engrossing biography, Saving Freud, brings forth the dangerous power of denial.
In What Is Sex Alenka Zupančič provides a brief, difficult, yet ultimately rewarding look at the “otherness” of sex as an act, identity, and communication.
Freud’s Requiem is at first buried beneath hero-worship before it resurrects to the occasion of a proper requiem.