Mark Ambor’s ‘Rockwood’ Looks at the Bright Side of Life
Singer-songwriter Mark Ambor prefers the sunlight over the moon, literally and metaphorically. Living for today doesn’t have to mean forgetting the past.
Singer-songwriter Mark Ambor prefers the sunlight over the moon, literally and metaphorically. Living for today doesn’t have to mean forgetting the past.
Andrew Combs’ new album serves as the robin in spring, a sign that seasons have changed. It’s not a chronicle of happiness as much as a statement of normalcy.
LØLØ’s anything-goes approach to rock music and a strong sense of melody make her debut album a winner, even if the lyrical topics get a bit repetitive.
Singer-songwriter Jack McKeon volunteers his newly gained knowledge and instructs listeners to talk to strangers as a way of being kind on his debut album.
Myriam Gendron effortlessly houses old musical DNA in new musical organisms, bridging the original with the traditional to guarantee her music’s timelessness.
Singer-songwriter Dawn Landes performs classic folk songs of struggle. Women’s rights are the unalienable ones we all share. Anything else is inherently wrong.
John Moreland’s gift to listeners is rooted in his alienation, as on his latest album, Visitor. We visit his world as a way to find ourselves.
Scott Ballew’s metaphysical life lessons entertain us like a good movie with a cliffhanger ending. One doesn’t know what happens next—and that is the point.
Dori Freeman’s music celebrates how one of life’s simple pleasures can raise us above our problems and give us the strength to continue.
Jon Dee Graham’s first album in seven years, Only Dead For a Little While, showcases the Lone Star musician’s humor, creative talent, and generous spirit.
The liveliness of Terra Lightfoot’s singing and playing infectiously charms her songs even when the stories told describe what may be pathological behavior.
Mick Flannery uses his gravel-edged voice to full effect on his latest album, Goodtime Charlie. He cultivates the nuances of his limits.