
Talk Talk’s Lost Chapter: ‘The Colour of Spring’ at 40
With its organic instrumentation and ecological visual and lyrical sensibility, Talk Talk’s third album was a holistic concept rooted in the natural world.

With its organic instrumentation and ecological visual and lyrical sensibility, Talk Talk’s third album was a holistic concept rooted in the natural world.

As Everything But the Girl, Tracey Thorn and Ben Watt were one of the most unique British acts of the 1980s and 1990s.

With Reel to Remix, Svetlana takes the chance to use her talents and the power of nostalgia to uplift other women in music, and that’s admirable.

While their penultimate studio album never garnered significant acclaim, Roxy Music’s Flesh + Blood is a moody, influential gem and vastly underrated.

Tokyo’s DJ Nontoya takes you on a guided tour through the fascinating worlds of city pop and Japanese funk on his third mix for WeWantSounds.

With Café Bleu and Brilliant Trees, Paul Weller and David Sylvian looked forward to jazz as a renewed source of inspiration; but was their pop music still pop?

Basia’s The Sweetest Illusion speaks to my family’s migration from Poland to France, the US, and the UK. Like Basia, I’ve picked up various cultural ephemera along the way.

In Scritti Politti’s Songs to Remember, Green Gartside comically challenges hegemonic structures in a perfect harmony of philosophy and pop.

As this vinyl reissue of Roxy Music’s 2001 compilation makes clear, the only thing cooler than Roxy Mark II was Roxy Mark I.

Forty years ago, Roxy Music stepped away from the recording studio, but not before leaving behind an album that defined the 1980s. It’s the ultimate marriage of high concept, high art, and high-quality popular music.

Level 42 started off wanting to be Return to Forever and ended up next to Culture Club and Spandau Ballet in the top 40. How did that happen?

The latest collaboration between Winston Cook-Wilson and Ryan Weiner, “Coast” mixes pandemic-era dread with funky, irresistible beats.