
Ruthie Foster Embraces Joy and Life on ‘Just Say Yes’
Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.

Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.

Inspired by the bossa nova and funk legends of his home country, Brazil, and the varied scenes in Austin, Texas, Frederico7 is an artist in motion.

The Family’s Delusions of Grandeur is a portrait of the COVID era, from its beginning to the present, showing the future has already passed.

Loathe changed the face of metal six years ago. With a new sound in tow, are they still capable of reaching those heights with A Stranger to You?

By not fully letting his guard down, the genre-bending bass virtuoso Thundercat fails to harmonize with the profound beauty of his songs.

As Empire Child, Ruth Rothwell realizes her lifelong dream of releasing her own music. It’s a journey of introspection, social consciousness, and positivity.

Ghost Hounds’ cover of the Rolling Stones’ “Gimme Shelter” evokes the feeling that we’re on the edge of something dangerous.

Inconsistent in his music and notoriously ornery, it’s difficult to figure out where, amongst his contemporaries, to seat Billy Joel at the Pop Rock table. We give it a try.

The 1967 Detroit Uprising did not create the music that followed; it clarified it by stripping away ambiguity, making it harder to ignore what was already there.

Jesper Lindell and company are faithful to the spirit of the original versions of these songs, but they bring their own energy as well.

Legendary soul singer Mavis Staples draws on classics, old and new, to deliver her own State of the Union address. Her message is more relevant and urgent than ever.

This is a big year for Cyril Neville and King Youngblood, a bonus for music fans who appreciate artists who use their talents to speak out and inspire social change.