Film music composer Ryan Rumery kicks off a new Bandcamp-only Friday release series with At, Apart, which is devastating in emotional scope and careful sense of arrangement and place.
Adventurous multi-instrumentalist Colin Stetson scores the new horror film from director Richard Stanley, Color Out of Space, and it's a noisy, deeply enjoyable headphone trip.
For the man behind some of the most memorable hip-hop productions of the last few decades, a new challenge hits Daniel M. Nakamura in the form of coming up with the emotional soundtrack for the stellar new teen comedy film Booksmart.
Film/TV score composer Cliff Martinez talks with PopMatters about his work with Steven Soderbergh, Harmony Korine, and Nicolas Winding Refn, whose new series Too Old to Die Young features one of Martinez's most ambitious scores to date.
From crafting the acclaimed soundtrack to Max Max: Fury Road to his latest score for Alita: Battle Angel, Junkie XL talks with PopMatters about his film score work and what draws him to classic scores from the '50s.
Barry Jenkins' If Beale Street Could Talk is a thought-provoking tale of both love and injustice, and in working with Moonlight composer Nicholas Brittell, the two find compelling musical motifs from unexpected places.
Disco legend Giorgio Moroder and composer Raney Shockne paired up to create the musical score for Queen of the South. In so doing, they perfected what they call "electro-noir".
Jonny Greenwood's Oscar-nominated score for Paul Thomas Anderson's Phantom Thread is his strongest yet, and an integral character driving the tension of the film and its intense love story.
Composer, producer and multi-instrumentalist Jon Brion lends his melodic, baroque charm to the most acclaimed film of 2017.