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Music

Cavern of Anti-Matter's First Film Score Is a Rare Delight

Stereolab spin-off project, Cavern of Anti-Matter thrive in alchemizing varied and abstruse influences to elicit transfixing moments of frazzled disquiet and dread on In Fabric.

Recent
Music

Ryan Rumery's 'At, Apart' Traffics in Nuance in the Face of Isolation

Film music composer Ryan Rumery kicks off a new Bandcamp-only Friday release series with At, Apart, which is devastating in emotional scope and careful sense of arrangement and place.

Music

Colin Stetson Goes to the Movies with Loud, Garish 'Color Out of Space'

Adventurous multi-instrumentalist Colin Stetson scores the new horror film from director Richard Stanley, Color Out of Space, and it's a noisy, deeply enjoyable headphone trip.

Music

Broke a Couple of Rules: Movie Scores with Dan the Automator

For the man behind some of the most memorable hip-hop productions of the last few decades, a new challenge hits Daniel M. Nakamura in the form of coming up with the emotional soundtrack for the stellar new teen comedy film Booksmart.

Paul Carr
Music

Warming Up to Melody: An Interview with Film/TV Score Composer Cliff Martinez

Film/TV score composer Cliff Martinez talks with PopMatters about his work with Steven Soderbergh, Harmony Korine, and Nicolas Winding Refn, whose new series Too Old to Die Young features one of Martinez's most ambitious scores to date.

Film

Film Composer Carter Burwell Provides the Missing Link to Chris Butler's 'Missing Link'

Among today's most prolific film composers and a two-time Academy Award nominee, Carter Burwell ventures into animated fare with the Chris Butler's Missing Link.

Music

Elimination Leads to Creation: Junkie XL on His Score for 'Alita: Battle Angel'

From crafting the acclaimed soundtrack to Max Max: Fury Road to his latest score for Alita: Battle Angel, Junkie XL talks with PopMatters about his film score work and what draws him to classic scores from the '50s.

Jose Solis
Music

The Many Sounds of Love: Composer Nicholas Britell on 'If Beale Street Could Talk'

Barry Jenkins' If Beale Street Could Talk is a thought-provoking tale of both love and injustice, and in working with Moonlight composer Nicholas Brittell, the two find compelling musical motifs from unexpected places.

Jose Solís
Music

Inventing Electro-Noir: Interview with Giorgio Moroder and Raney Shockne

Disco legend Giorgio Moroder and composer Raney Shockne paired up to create the musical score for Queen of the South. In so doing, they perfected what they call "electro-noir".

Music

Jonny Greenwood Creates His Best Soundtrack Yet With 'Phantom Thread'

Jonny Greenwood's Oscar-nominated score for Paul Thomas Anderson's Phantom Thread is his strongest yet, and an integral character driving the tension of the film and its intense love story.

Music

Jon Brion's Soundtrack for 'Lady Bird' Possesses All the Baroque Charm You'd Expect

Composer, producer and multi-instrumentalist Jon Brion lends his melodic, baroque charm to the most acclaimed film of 2017.

Music

Entering the Unknown with Film Composer Jon Brion

Acclaimed record producer and film composer Jon Brion is having a boon of a year after composing the music for Lady Bird, but still has so much more to say.

Evan Sawdey
Music

Philip Selway: Let Me Go Original Soundtrack

Leave it to a film about a family torn apart by Nazi activity to bring the best out of Radiohead's Philip Selway.

Music

Maximalism, Not Nihilism: Electronic Composer Dan Deacon on the Necessity of Creating

Dan Deacon talks with PopMatters about the 10th anniversary of Spiderman of the Rings, Ultimate Reality, and his original soundtrack for Rat Film.

Music

Dean Hurley: Anthology Resource Vol. 1: △△

The Twin Peaks soundtrack collection exposes a key architect for one of the most daring shows of all time.

Music

Paul Weller: Jawbone - Music From the Film

The ageless, prolific Weller steps out of his comfort zone with his first soundtrack, and it's a moody, psychedelic gem.

Music

Mika Vainio: Mannerlaatta

With Mannerlaata, Mika Vainio has created a soundtrack that is presumably as sinister and confounding as the film it accompanies.

Music

Low: The Exit Papers

In 2000, in between the career-defining albums Secret Name and The Things We Lost in the Fire, Low created the EP The Exit Papers, a stab at making film music.

Music

Jóhann Jóhannsson: Orphee

Orphée is the first album by Jóhann Jóhannsson not associated with a film since 2009’s Fordlandia, and from the opening track, it shows itself as a work to be heard on its own terms.

Music

Patrick Cowley: Muscle Up

Gay pornography, gone cosmic.

Music

Jóhann Jóhannsson: The Theory of Everything

Jóhann Jóhannsson evokes the sound of space and time falling in love together... in the '60s.

Film

Should Film Music Stand Alone?

In evaluating what makes a great film score, writers, composers, and listeners must ask themselves if the function of cinematic music limits the form it has to take.

Music

Chris Brokaw: Now, Forager OST

A surprisingly good album that happens to make a fine soundtrack.

Music

Dave Porter: Breaking Bad OST

One of the biggest contradictions in the soundtrack business is that the right music perfectly adheres to the scenes, and it does it so well that it disappears or, better, becomes one thing with the pictures

Music

Jóhann Jóhannsson: Prisoners

Enter Jóhannsson's dark and haunting atmosphere full of tension, turmoil and suspense.

Music

Josh Tillman: The History of Caves

Father John's soundtrack to his wife's upcoming short film wants to be hypnotic and foreboding; it settles for fitfully pretty and forgettable.

Music

Various Artists: The Man With The Iron Fist

The Man With the Iron Fist is not only the best soundtrack of the year, it's one of the year's best albums overall.

Music

Wax Tailor: Dusty Rainbow From the Dark

Concept album by trip/underground hip and downtempo, hop. Leave that button alone, it works.

Music

Valgeir Sigurðsson: Architecture of Loss

Stunning album by the multifaceted Icelandic producer, label founder and musician that transports us to the glacial wilderness of his home country.

Music

Fennesz: AUN: The Beginning & End of All Things

The title, we're asked to believe, means “the beginning and end of all things” -- which doesn't really mean anything. An alternate title might be "AUN: The End of your Otherwise Cheery Mood".

Music

Damon Albarn: Dr. Dee

Creative mastermind Damon Albarn (Blur, Gorillaz, Rocket Juice & the Moon) releases the soundtrack to his opera, based on the life of John Dee. It's a stunning work on its own, but just doesn't find its footing unaccompanied by visuals.

Music

K.S. Chithra: K.S. Chithra

She characterises herself with dauntless flutters, like punchlines.

Music

Various Artists: Life Is Dance!

Nazir Ali's voice rings down like an axe and when she calls you "silly" it's so powerful you blush and laugh.

Deanne Sole
Music

Mike Patton: The Solitude of Prime Numbers (Original Soundtrack)

Intriguing in both the quality of the music and the execution of its concept, this is an excellent soundtrack that can be enjoyed without seeing its source material, though it is not without its own quirks.

Brice Ezell
Music

The Chemical Brothers: Hanna (Soundtrack)

Based on the themes presented, you'd think that an elementary-school-aged kid was at the center of the narrative, rather than a junior-in-high-school-aged one.

Film

His Dark Exotica: Ennio Morricone - "Interrupted Melody"

Irrespective of its placement in 'Exorcist II: The Heretic', both “Interrupted Melody” and its sister track, "Interrupted Melody (Suspended Sound)", work astoundingly well as `70s film-culture quantifiers, delivering Ennio Morricone’s ability to challenge us not only with atonality, or in this case, clearly presented tonality in contrast to his more abstract works.

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