
The Immanent Transcendence in Mascha Schilinski’s ‘Sound of Falling’
Mascha Schilinski’s Sound of Falling operates in the language of the unconscious, which is the language of the dead. The viewer must invite the dead into each present moment.

Mascha Schilinski’s Sound of Falling operates in the language of the unconscious, which is the language of the dead. The viewer must invite the dead into each present moment.
As we see in Au Hasard Balthzazr, director Robert Bresson is no world-hater or sanctimonious moralizer. His spirituality is inseparable from his reverence for the material world.