Whether a spry youth thrashing about in punk clubs, a writer publishing poetry, or an actor appearing on police procedurals, JoBoxers frontman Dig Wayne's life has spanned a full artist's spectrum.
With Girls Against God, avant-garde musician Jenny Hval gives us a semi-autobiographical text that, like the metalhead teen she describes, won't abide by any rules.
Sneaks' Happy Birthday is a worthwhile release for its insistence upon being categorized as music without a category.
Lyricist Aaron Weiss of post-punk Christian band mewithoutyou used the F-word in a song and it got banned from radio and the album got pulled from record stores. Meanwhile, his fans ponder his parodying of cultural mores.
Across more than 20 short tracks, Homeless Oakland Heart captures the broken heart of the Bay straight from the mouths of some of those who have suffered the most at its feet.
The Book of Traps and Lessons reveals Kate Tempest's disdain with contemporary society while also envisioning a future where it all can be changed. With a flair for hip-hop laced with Marxism, the album is poetic artistry.
On any given day, you may see Kate Tempest working as a poet. Or maybe a playwright. Or a spoken-word artist with hip-hop connections. As she celebrates the release of her third album, she reflects on where her place is in Britain's powerful cultural moment.
Experimental composer and French poet Félicia Atkinson creates The Flower and the Vessel "with pregnancy", using small gestures to explore questions of ontology and becoming.
A special limited reissue LP on kaleidoscope vinyl reveals the historical relevance of Dr. Timothy Leary's takes on philosophy, existence, and life in the 1960s, for the "soundtrack" to the indeterminable film Turn On, Tune In, Drop Out.
Akua Naru's new LP, The Blackest Joy, highlights a collage of hopes, history, and fears at a deeply tumultuous moment in history.
Blues and Haikus captures Jack Kerouac at a high point even when he was already starting to slip away from us.
