The foreground of Fufanu's Sports lingers like a bad feeling, one that could have been more frightening by pulling closer more elements within the background.
The Phenom is at once remarkable for both its transfixing cinematography and Johnny Simmons's tightly coiled performance, but it's mired by its over reliance on exposition.
An institution once associated with athletic superiority and, of course, proud patriotism, has been deduced to yet another pawn in the ongoing game of international passive-aggression.