
SPRINTS’ New LP ‘Swimming’ Reaches for the Stars
SPRINTS remain emotive but more polished and reflective, questioning rather than acting—though often admitting defeat as the songs grow louder.

SPRINTS remain emotive but more polished and reflective, questioning rather than acting—though often admitting defeat as the songs grow louder.

Montreal band Wolf Parade’s haphazard formation and instant momentum yielded their most captivating work, including what would become their defining anthem.

Dance Called Memory is something of a pivotal album in its own modest way. It’s Nation of Language’s most introspective and darkest record.

Guerilla Toss excel in portraying a tangible connection between band and listener, cutting through the prism of pretence for something more instantaneous.

Lael Neale delivers her near-apocalyptic songs with eloquence and sangfroid. If this record is Neale bidding adieu to Los Angeles, then it is an unforgettable farewell.

While still discovering his individual identity, TV on the Radio frontman Tunde Adebimpe offers plenty to consider about the human condition along the way.

Screaming Life was the authentic sound of grunge and set Soundgarden on course to become the Led Zeppelin of the video game age.

Father John Misty has come as close to perfecting his artistry as anyone can. Mahashmashana is a masterpiece of exceptional songwriting and performance.

Girl and Girl’s Call a Doctor nearly delivers as a concept yet still captivates with its jangle pop charm. They should be a band we follow for years to come.

Death Jokes finds Amen Dunes tackling big issues and exploring influences from his youth, but the connection with his listeners still creates deeper meaning.

A mix of mature realism and lingering hope gives Iron & Wine’s Light Verse its heart. Sam Beam only needs to search for sweetness when it’s hidden.

Following Robed in Rareness from last fall, Shabazz Palaces continues a provisional series with the cryptic and digressive Exotic Birds of Prey.