Quirky art-rock outfit Guerilla Toss sacrifice little of their magnificent strangeness by leaning mainstream on their Sub Pop debut, Famously Alive.
Ya Tseen’s vision on Indian Yard is expansive and yet feels fully realized. It’s hard to imagine an album covering more ground and still striking such a precise balance of cohesion and variety.
Chad VanGaalen’s World’s Most Stressed Out Gardener has elements of hurt and darkness, but he sounds at ease in his ever-changing musical gambits.
Clipping's latest album, Visions of Bodies Being Burned, is a terrifying, razor-sharp sequel to their previous ode to the horror film genre.
Abortion is under threat again, and there's a sex offender in the Oval Office. A fitting time, in short, to crank up the righteously angry vocals of feminist hard rock heavy hitters like L7.
Wolf Parade's debut, Apologies to the Queen Mary, is an indie rock classic. It's a testament to how creative, vital, and exciting the indie rock scene felt in the 2000s.
A sultry, locomotive shuffle of hip-hop and hot blue funk, Shabazz Palaces' "Bad Bitch Walking" features Ishmael Butler as a susurrating lover whose languid gaze of a woman is slowly supplanted by the erotic ellipses of female motion.
With the release of Shabazz Palaces’ The Don of Diamond Dreams, producer-rapper Ishmael Butler envisions yet another lunar world of sound disturbed by his anxieties and desires.
With a move to a Sub Pop Records, Atlanta post-punkers Omni go for a more understated, stripped down affair on their third album, Networker.