
‘Josephine’ Crawls Under Your Skin and Stays
With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.

With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.

The Huntress casts aside simplified ideas about revenge and observes different ways to respond to a culture of misogynistic violence.

Filmmakers of the horror movie Rock Springs sped past indicators to elevate the subject, drove right over the cliff, and plunged to rock bottom.

Activist-cum-stand-up comedian Noam Shuster-Eliassi documentary Coexistence, My Ass! makes it painfully clear how complicatedly funny/not-funny coexistence can be.

True to its deceptively simple nature, Lily Platt’s Crisis Actor is a bold and captivating reflection on addiction, albeit of a different kind.

James Sweeney’s Twinless argues that the loneliness of contemporary, late-stage capitalism life is perpetuated by the very things that attempt to remedy it.

Sierra Falconer’s anthology film Sunfish (& Other Stories on Green Lake), is quietly impressive, workmanlike storytelling.
While the Sundance Film Festival still uplifts under-the-radar films in an increasingly challenging market, its future may be in doubt.
Jesse Eisenberg’s debut comedy-drama, When You Finish Saving the World delivers cringes and finds trembling humanity within its narcissistic characters.