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Truth, Justice, and Unprecedented Achievements: 'Action Comics #1000'

A major milestone 80 years in the making acts as a fitting reminder of how true icons endure.

                                      
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        'Superman #52' Disingenuously Desecrates an Icon
    
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        07 Jun 2016
    
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        As With 'Superman/Wonder Woman Annual #2', Every Relationship Faces Challenges
    
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        04 Jan 2016
    
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        Anatomy of a Betrayal in 'Superman #43'
    
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A major milestone 80 years in the making acts as a fitting reminder of how true icons endure.

The redemption of Donna Troy begins, but just barely.

A new Wonder Woman explores a new world in a bold new way.

Taking a different path to become an icon with Hernan Guerra and not Clark Kent.

Making Kirk Langstrom a believable Batman... to an extent, in one of the trinity of prequel books to Justice League: Gods & Monsters.

Superman and Superman II are two of the best films of their kind, but budget and time overruns necessitated a number of changes from the original vision.

Superman #41 feels less like a blockbuster movie and more like a teaser trailer.

A triple-sized story that has limited substance, but a lot of style and even more potential.

A war of dark secrets, epic scales, and everything in between.

Over the course of any relationship, especially ones that last three quarters of a century, there's bound to be some friction, some tension and some overall sour times.

A drunk Superman is both entertaining and insightful.

The arena for a multiversal clash is set, but lacks theatrics.

Superman's strengths are once again explored, but his weaknesses tell the story.

Death Sentence: London is quite possibly the most important work of 2015.

Superman reveals his identity and spends a day without his powers, but he still finds a way to be a heroic ideal.

Superman faces a daunting challenge to his principles and ideals, but he ends up not having to confront it.

Superman demonstrates his power to inspire in an appropriately effective ending to the series.

An issue about carrying on a legacy, but for only some of the right reasons.

When a proud warrior becomes hardened by war, and it reveals her true strength.

An epic struggle that has all the right ingredients, but not enough of the most important one.

Fighting evil with evil by being good, thereby serving evil.

Superman faces one of his most daunting foes in a way that has limited potential.

Undermining someone's principles is everyone's kryptonite.

Superman confronts his greatest vulnerability and it isn't kryptonite.

Be brave, Superman gets into an epic fight! And more!

Mongul thinks he can exploit gamers to defeat Batman and Superman. But what happens when the gamers start exploiting him?

Take a typical clash between two iconic heroes, add in some satire, and this is what you get.

How does DC's power couple mature in their relationship in a way that's relatable?

Man of Steel was more concerned with surly brooding than Superman's more endearing traits. I think we (and Superman) should lighten up.

Super Boys reminds us for the ages that the values we still find compelling about Superman were instilled at birth, by two guys from a metropolis known as Cleveland.

A test of Superman is a test of selflessness and our expectations of a being that is completely selfless, despite his omnipotence. And, perhaps, selfless behaviors are just not that much fun to enact. Who wants responsibility to others to exclusively motivate play?

The impulse is to "update" Superman, to make him "relevant". But what could be more deadening than making an enduring cultural icon "relevant" to passing trends?

Jerry Siegel and Joe Shuster caught lightning in a bottle. One good idea turned their lives around. Then, it turned their lives upside down.

Everything, from artistic competence to the price point, has risen since the '90s. All that’s missing are the embossed holofoil covers and polybags.

In a time when the novelty of DC's company-wide reboot seems to push writers in the direction of a ground-up redesign of their characters, Grant Morrison does the unexpected with the original superhero. PopMatters presents Grant Morrison, and his thoughts on Action.

It’s ironic that in Superman #1 a main character who, for decades, has struggled with ways to stay relevant and fresh to younger audiences, is the one who resents it the most.

Imagine a weird ending to Back to the Future where Doc Brown never shows up and Marty McFly convinces himself it was all just a dream. The sequel is just Marty living an everyday life. Now ask yourself what are your expectations of the DC reboot.