Whether Say Sue Me are surf-rock, shoegaze, or dream-pop, none of these categories seem to matter when listening to the delightful The Last Thing Left.
Magical Nights is the sonic portrait of a paragon of rock and roll, Phương Tâm sounding like some kind of ideal of a youth music icon.
The Spy Detective Collective from Scott Helland’s Guitarmy of One will strike a chord with those schooled in ’60s-era surf-rock and Henry Mancini themes.
With touches of reggae upstrokes and even Tropicalia, Good Bison's debut EP is positively sun-splashed, lending Pablo Alvarez's various crises and neuroses a slight touch of irony, even satire.
The Beach Boys Today! is an often overlooked gem in the band's catalog. We dive into each track and discover how they fit into the Beach Boys' musical growth, while also examining the recording process and release history.
Surfer Blood's 2010 debut put them on the map, but their critical sizzle soon faded. After a 2017 comeback of sorts, the group's new record finds them expanding their sonic by revisiting their hometown with a surprising degree of reverence.
Ten years ago, we began presenting the beloved Counterbalance series that ran through 2016. Jason Mendelsohn and Eric Klinger debate the merits of some of the most critically-acclaimed albums of all time. We are re-running the entire series beginning today with a new entry each Monday. Enjoy.
Dune Rats are, without a doubt, a rebel-rousing bunch whose call-outs, curse-outs, and amateurish stunts have earned them mass appeal with an audience just as eager to stick it to the man alongside them.
The Buttertones' latest album, Midnight in a Moonless Dream, is in part a reaffirmation of their combined strengths and also a well-considered step forward.