Buried in These Hands For Years: Thomas Dolby’s ‘The Golden Age of Wireless’ Turns 40
Thomas Dolby’s 40-year-old debut The Golden Age of Wireless is a definitive synthpop album that raises many questions but only answers a few of them.
Thomas Dolby’s 40-year-old debut The Golden Age of Wireless is a definitive synthpop album that raises many questions but only answers a few of them.
Seminal new wave band the B-52s have announced dates on their farewell tour. With that in mind, here’s a ranked list of the B-52s’ studio albums.
Allegories’ Endless is a complex and winning work that finds humanity amongst the rolling waves of synthesizers, drum machines, and electronic instruments.
The vast creativity and breadth of Röyksopp’s Profound Mysteries are impressive. A suite of short films operates as a gorgeous visual interpretation.
Thirty-five years later, twin albums of demos and outtakes from cheeky British synthpop duo I Start Counting have surfaced, and they’re not without their pleasures.
Singer-songwriter Alyssa Midcalf’s second album under the Primer moniker, Incubator, addresses hard truths under irresistible synthpop beats and melodies.
Thirty years ago, Annie Lennox’s Diva set a new standard for blue-eyed soul because she approached the style with depth, understanding, humility, and respect.
Eclectic Canadian singer-songwriter Caylie Staples embraces ethereal electropop on her stunning new solo album, Future Memory.
LÉON creates a synth-heavy work on Circles whose ambient sound conjures the feeling of calm after the storm, even if that calm might still be emotionally fraught.
A shift to focusing on world-sized problems pays huge creative dividends for Joywave on Cleanse, as they create their most moving work yet.
Tears For Fears’ The Tipping Point is exquisitely intimate, poppy, and multilayered, highlighting the deepest beauties of Smith and Orzabal’s partnership.