Lee Gamble Documents Sonic Overstimulation on ‘Flush Real Pharynx’
Lee Gamble’s music asks: how far you go before that human core is lost? How futuristic can techno become without losing its playfulness and elasticity?
techno
Stigma Continues His Run of Doomy, Minimal Trip Hop on ‘Too Long’
Stigma’s Too Long is a seven-track vortex of sinister filter sweeps, bleary-eyed synths, and detonating rhythms. As his music gets darker and weirder, it gets better and better.
Daniel Avery Gets Nostalgic on ‘Together in Static’
Daniel Avery’s Together in Static moves along at a glacial tempo, full of mournful ambience, slow-motion beats, and waterlogged synth tones.
Eomac Incorporates Natural Elements into His Electronic Music on ‘Cracks’
Electronic producer Eomac relocated to the Irish countryside from Berlin and the result is an evolution of his sound on the new album, Cracks.
Loraine James’ ‘Reflection’ Is a Masterful Work of Heartfelt Electronica
North London producer Loraine James finds romance and hope on her extraordinary album, Reflection. It’s a work of seductive, heartfelt brilliance by an artist at the peak of her powers.
Basic Rhythm’s ‘Electronic Labyrinth’ Is a Modernist Dreamscape
Shades of drum and bass, techno, and grime all appear but are warped and distorted via Basic Rhythm’s cool, muscular production style on Electronic Labyrinth.
Leon Vynehall’s ‘Rare, Forever’ Is Daring But Overstuffed
Rare, Forever may be Leon Vynehall’s most daring work, but unfortunately, the result is just too cluttered to achieve any sense of artistic transcendence.
‘Rare, Forever’ Synthesizes Leon Vynehall’s Instincts Into a Unique Vision
Rare, Forever synthesizes Leon Vynehall’s musical instincts into one unique vision. Both beguiling abstract and instantly gratifying it’s as dizzyingly immersive as Nothing Is Still.
The 10 Best Electronic Albums of 2011
Our electronic music experts pick the best albums from 2011 when the genre ranged widely and wildly from ADD dance music to the last great pure dubstep record.
Andy Stott’s Chopped and Screwed Techno Takes on Warmer Hues with ‘Never the Right Time’
Andy Stott’s Never the Right Time may be the most inviting record in his catalogue, an entry point into his funereal sound-world. It’s also one of his best.
New Electro Act Sylph Shares the Primal “In the Morning Light” (premiere)
Electro’s Sylph creates an ode to raves’ communalism on the psychedelic, industrial techno of “In the Morning Light”.