Lyrically and sonically, Smerz’s Believer is a bold, risk-taking LP that charts a wild, uneven ride through trance, classical, R&B, and hip-hop.
Following a decade-plus break from official studio albums, Cabaret Voltaire are back with a bevy of releases that shows the electro icon empowered, recharged, and as mired in dissonance and drum beats as ever.
Bicep's sophomore release Isles is much more grown-up and conflicted. However, this is not to the detriment of their characteristic eclectic abandon.
Electronic music is a huge tent with many diverse approaches, and it's more international than ever with producers around the globe pushing music forward. The year's best albums featured returns from established talents, as well as ground-breaking newcomers.
Whipped Cream's debut is a perfect tonic to all the bottled-up rage and pent-up energy many of us are feeling this year while reminding our bodies of the dancefloors to which we will one day return.
On his debut album for Mute, Berlin-based producer Nicolas Bougaïeff applies meticulous care and a deft, trained ear to each track, and the results are marvelous.
88 is not the most consistent Actress album to date, but it is probably the wonkiest. Parts of it sound like relics from the analog era; others sound like nothing else on earth.
The most impressive thing about Nahash's Flowers of the Revolution is that it's so unabashedly political despite being almost devoid of vocals. The politics come through in the struggle of contrasting elements.