
Fear Factory, Static-X, and Dead Bands’ Future Identities
Metal bands Fear Factory and Static-X cope with their mortality in the usual fashion, but the technology they embrace might radically change their identity.

Metal bands Fear Factory and Static-X cope with their mortality in the usual fashion, but the technology they embrace might radically change their identity.

Pre-Musk Twitter drew writer/visual artist William Lessard back to poetry. He adapts to current AI tech with his latest “vibe coding” project, /face.

The post-human speculative sci-fi series Pantheon asks, can humanity recognize itself in its digital reflection?

Spike Jonze’s Her is a work of art that is far more influential than predictive; ahead of its time in exploring the murky obsessions and ambiguities that haunt our relationship with AI.

Horror and sci-fi nuclear cinema of the Cold War era is our finest rehearsal for the AI future, and that’s why pop culture still reaches for monstrous metaphors when technology leaps beyond comprehension.

David Cronenberg’s The Shrouds harkens back to his early body horror obsessions with a poet’s tone, retaining the connective tissue that embodies him.
In their pseudo-creativity and occasionally malevolent capriciousness, generative AI programs resemble an order of magical spirits from another age.
If the future of work is interaction with intelligent machine counterparts, workers’ cognitive and emotional experiences will undergo a seismic shift.
Romcom The Broken Hearts Gallery is aware that we are chained to technology, yet it shrouds social media in the kind of movie magic that can revive the ailing genre.
Neutral Milk Hotel’s ambiguous 1988 album, In the Aeroplane Over the Sea, suffered a memeified atrocity. But the tides of public opinion rise and fall, and memes come and go.
Artificial Intelligence is a prime example of how technological narratives can affect our relationship with technologies, as evidenced in ChatGPT Sydney’s struggle to contemplate its Jungian shadow.
In The Listeners, scholar Brian Hochman narrates a history of surveillance in the United States by means of technological cunning up to 2001.