I've sworn, after learning about the latest kleptocrat billionaire to buy a club, or scrambling from the clash between hooligans and riot police, or hearing a homophobic chant rise up from the stands, I would give up on the game. Anyone with sense would.
It makes perfect sense that 2019 — the last year of the decade — should also be the last year for one of the 2010s' best shows. To continue would be a disservice to viewers.
In both The Avengers: Endgame and Game of Thrones, the key conflicts are not between good and evil, as one might think, but between the beginnings and endings of their stories.
Under the aegis of fluidity, Quinlan Miller advances a trans-conscious viewpoint in Camp TV that happily takes a pick-ax to more basic gender studies approaches to pop media.
Kelsey Miller's I'll Be There for You, on the production and cultural legacy of Friends, is a must-read for fans and anyone interested in understanding TV culture over the past 20 years.
Shannon Purser discusses her debut role in film, Sierra Burgess Is a Loser, catfishing, and the unrealistic expectations imposed on today's youth.
A Spy In The House of Loud works best on quiet stages, taking singular trips down clearly paved roads with definite endings.
Quiet on the set! Nathan Barr's Emmy-nominated theme song -- and his at times chilling soundtrack for this tale of Russian spies in America during the Cold War -- is now available on CD.
Comedy is a cruelly subjective art form, and not much of it survives outside of its time frame.
Eschewing nostalgia, filmmaker Neville of Won't You Be My Neighbor is far more interested in Fred Rogers' ideas than his biography.
This may be a clever homage to classic hard-boiled detective fiction from the '40s, but Archer in Dreamland is not the wild man we've come to love/hate.
The first season of this icily horrific series is a crash course in the possibilities of a uniquely American 'It Could Happen Here' patriarchal Christian fascism.
The Outer Limits is a mix of science fiction, nightmares, and surrealism -- the very things that make life worth living even though they scare the bejeebers out of us.
Director Morgan Neville cuts straight to the heart of matters with this moving biography of Fred Rogers.
The next film from Pussy Riot: A Punk Prayer director Maxim Pozdorovkin treats us to Russian propaganda about the United States.
Rogue filmmaker Alex Cox ties The Prisoner's island mentality and palpable "cupcake fascism" to current political events, including Brexit, in I Am Not a Number.
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