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Chris Stamey's Homage to the New York Music Scene of the '70s

A Spy In The House of Loud works best on quiet stages, taking singular trips down clearly paved roads with definite endings.

Books

Sound and Silence in FX's 'The Americans'

Quiet on the set! Nathan Barr's Emmy-nominated theme song -- and his at times chilling soundtrack for this tale of Russian spies in America during the Cold War -- is now available on CD.

Television

'Homey Don't Play That': A Tale of Emmy-winning Black Comedy Sitcom 'In Living Color'

Comedy is a cruelly subjective art form, and not much of it survives outside of its time frame.

Books

Morgan Neville on the "Radical Kindness" of 'Mr. Rogers Neighborhood'

Eschewing nostalgia, filmmaker Neville of Won't You Be My Neighbor is far more interested in Fred Rogers' ideas than his biography.

Film

Outrageousness Takes a Holiday in 'Archer S8: Dreamland'

This may be a clever homage to classic hard-boiled detective fiction from the '40s, but Archer in Dreamland is not the wild man we've come to love/hate.

Television

Puritans with Machine Guns in ‘The Handmaid’s Tale’

The first season of this icily horrific series is a crash course in the possibilities of a uniquely American 'It Could Happen Here' patriarchal Christian fascism.

Television

Going Back to Things Unknown with 'The Outer Limits'

The Outer Limits is a mix of science fiction, nightmares, and surrealism -- the very things that make life worth living even though they scare the bejeebers out of us.

Television

True/False Film Fest: 'Won't You Be My Neighbor?'

Director Morgan Neville cuts straight to the heart of matters with this moving biography of Fred Rogers.

Film

True/False Film Fest: 'Our New President'

The next film from Pussy Riot: A Punk Prayer director Maxim Pozdorovkin treats us to Russian propaganda about the United States.

Film

'The Prisoner' Has Superbly Outlived Its Original Context

Rogue filmmaker Alex Cox ties The Prisoner's island mentality and palpable "cupcake fascism" to current political events, including Brexit, in I Am Not a Number.

Books

'Curb Your Enthusiasm' S9 Couldn't Find Its Rhythm

Curb Your Enthusiasm's well-established characters are reacting to their former selves, rather than inhabiting or reinventing themselves. Thus, it loses the rhythms and inflections that once made the show so consistently, diabolically funny.

Television

The Light and Dark Music in ' Mr. Robot': A Conversation with Mac Quayle

Emmy-winning Composer Mac Quayle is one of the best in the TV soundtrack business. His mastery of synthesized instrumentation is perfectly suited to Mr. Robot's theme.

Music

'Television: A Biography' Showcases How TV Is an Insanely Mutative Beast

David Thomson's lucrative and exhaustive biography of television reminds us that the continuously morphing state of TV matches our increasingly digitally-enhanced society.

Reviews

The Fourth Season of 'Inside Amy Schumer' Turns Inward at a Cost

As Trainwreck and Inside Amy Schumer's third season demonstrated, Schumer’s comedy's most potent when it explores the stakes of what it skewers.

Katie Dyson

Television

Unbuttoning America: A Biography of Peyton Place

With its frank discussions of poverty, sexuality, class and ethnic discrimination, and small-town hypocrisy, Peyton Place was more than a tawdry potboiler.

Ardis Cameron

Books

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The Rebel Rockin' Roots of Punk Rock Humor

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A Spy In The House of Loud works best on quiet stages, taking singular trips down clearly paved roads with definite endings.

Quiet on the set! Nathan Barr's Emmy-nominated theme song -- and his at times chilling soundtrack for this tale of Russian spies in America during the Cold War -- is now available on CD.

Comedy is a cruelly subjective art form, and not much of it survives outside of its time frame.

Eschewing nostalgia, filmmaker Neville of Won't You Be My Neighbor is far more interested in Fred Rogers' ideas than his biography.

This may be a clever homage to classic hard-boiled detective fiction from the '40s, but Archer in Dreamland is not the wild man we've come to love/hate.

The first season of this icily horrific series is a crash course in the possibilities of a uniquely American 'It Could Happen Here' patriarchal Christian fascism.

The Outer Limits is a mix of science fiction, nightmares, and surrealism -- the very things that make life worth living even though they scare the bejeebers out of us.

Director Morgan Neville cuts straight to the heart of matters with this moving biography of Fred Rogers.

The next film from Pussy Riot: A Punk Prayer director Maxim Pozdorovkin treats us to Russian propaganda about the United States.

Rogue filmmaker Alex Cox ties The Prisoner's island mentality and palpable "cupcake fascism" to current political events, including Brexit, in I Am Not a Number.

Curb Your Enthusiasm's well-established characters are reacting to their former selves, rather than inhabiting or reinventing themselves. Thus, it loses the rhythms and inflections that once made the show so consistently, diabolically funny.

Emmy-winning Composer Mac Quayle is one of the best in the TV soundtrack business. His mastery of synthesized instrumentation is perfectly suited to Mr. Robot's theme.

This week we are celebrating the best post-punk albums of all-time and today we conclude with part five featuring Joy Division, Gang of Four, Talking Heads and more.

David Thomson's lucrative and exhaustive biography of television reminds us that the continuously morphing state of TV matches our increasingly digitally-enhanced society.

As Trainwreck and Inside Amy Schumer's third season demonstrated, Schumer’s comedy's most potent when it explores the stakes of what it skewers.

With its frank discussions of poverty, sexuality, class and ethnic discrimination, and small-town hypocrisy, Peyton Place was more than a tawdry potboiler.