Academic Hunter Hargraves’ Uncomfortable Television considers the postmillennial spectator an active participant and contributor to the neoliberal society that is shaped by today’s television.
The New Female Antihero explores how misogyny undermines television’s strong female antiheroes and how that, in turn, stunts our culture’s ability to embrace feminism.
Under the aegis of fluidity, Quinlan Miller advances a trans-conscious viewpoint in Camp TV that happily takes a pick-ax to more basic gender studies approaches to pop media.
