Minstrel in the Gallery seems as autobiographical as any Jethro Tull album, before or after, and there is a vulnerability and sensitivity that the songwriter was simply growing into.
A decade after its release, Coheed and Cambria's third full-length album remains the group's highest benchmark, as well as one of the genre's best modern albums.
After the back-to-back-to-back brilliance of their previous three albums, a letdown seemed inevitable; amazingly, Ian Anderson & Co. raised the bar, instead.
Revered English musical visionary Steven Wilson discusses the inspirations, methods, and reflections that helped create his newest solo opus, Hand. Cannot. Erase.
Fifteen years after its release, Dream Theater's fifth LP remains not only the quintet's truest masterpiece, but arguably the greatest progressive metal album ever made.
While so many of their progressive rock contemporaries were writing novels in the form of side-long suites, the Moody Blues were masters of the short story.
The Pineapple Thief mastermind delves into the making of Magnolia, the [un]fair criticisms of fans, and the joys of modern Opeth, among many other topics.
Still Life's narrative borders on Shakespearean levels of romantic tragedy and social commentary, making it the most poetic and philosophical in Opeth’s catalogue.