"Night Rally" is threatening and filled with devastating imagery, and "Radio Radio" -- while no less subversive in its subject matter -- is more upbeat, and most satisfyingly, contains a proper resolution.
"Hand in Hand" is overall reminiscent of Merseybeat, without a doubt one of Costello's major touchstones for This Year's Model and beyond. Yet the relatively tame vocal performance and buoyant melody offer a sharp contrast to the harsh lyrics.
On "You Belong to Me", the author's romantic possessiveness and sexual neuroses that are merely hinted at in previous selections from This Year's Model reach their volcanic acme here, where they stay for the impassioned remainder of the record.
The most stylistically New Wave cut from This Year's Model, the somewhat dated and overplayed "Pump It Up" serves as an arch between the lyrically-effusive "The Beat" and melodramatic "Little Triggers", a transition that otherwise wouldn't be as fluid.
Leaving behind psychedelic prog for nervy New Wave, the latest Between the Grooves series is a track-by-track deconstruction of Elvis Costello's malicious 1978 masterpiece. First up is the frenetic "No Action", Costello's best album opener and a great way of introducing his backing band the Attractions to the world.