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Performing Arts

Why Is Opera So Derided in America?

Prokofiev's The Fiery Angel offers everything movie goers seek: debauchery, religious obsession, exorcisms, devilish abuses, graphic sexual assault, and a variety of horrific effects both musical and visual.

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Searching for Value in All the Wrong Places, Or How to Put Away Childish Things

More than fetishizing his prizes, the collector fetishizes his own obsessiveness and glorious blindness to the machinations of what non-collectors call “real life”.

Film

What More Is Mankind Than Nature's Parasite? Reflections on 'Herzog: The Collection'

For Werner Herzog, man’s tug-of-war with nature is not a present imbalance but a lost cause, the barbarous beauty of nature made mere barbarism by humankind.

Film

The Gunman on the Unemployment Line: Masculinity, Professionalism, and Ethical Bankruptcy

Surely even Dirty Harry needs a break from cinematic violence, some time off at Walden Pond. Though I doubt its tranquility would deter him from picking off the sparrows.

Film

Against Cult Cinema: Documentarian Didacticism and 'The Animals Film'

The pacifism of The Animals Film renders it an anti-cult cult film, not merely a plea to cease animal cruelty, but a critique of the violent objectification cum commercialization of life itself.

Film

Between the Omnivore and the Hermit: Reducing Religion to a Cult of One

The bad film cultist sacrifices his selfhood to the group; the sophisticated film cultist, wary of any residue of fascism, desires alternative groups but keeps them at arm’s length to preserve the integrity of his ego and the pristine beauty of his narcissism.

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