The Fall Go Transatlantic with 'Reformation! Post-TLC'

The Fall's Reformation! Post-TLC, originally released in 2007, teams Mark E. Smith with an almost all-American band, who he subsequently fired after a few months, leaving just one record and a few questions behind.

                                      
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The Fall's Reformation! Post-TLC, originally released in 2007, teams Mark E. Smith with an almost all-American band, who he subsequently fired after a few months, leaving just one record and a few questions behind.

Does the world really need another Fall anthology? Yes, absolutely, and this is it.

Season three of The Fall may not have lived up to the previous two seasons, but it remains a largely absorbing series.

John Peel and Nico loved his band and Mark E. Smith fired him. Martin Bramah marched through history with a band he can never seem to escape. After decades of trying not to, he's finally learned to embrace life in Blue Orchids.

Blue Orchids comes roaring back with new songs and a collection of early '80s Rough Trade sides.

The Fall have summoned another EP that will please the faithful while baffling everyone else.

We are faulty, we must be appeased, we are destructive, and ultimately we are self-destructive.

We want our machines to be more human. As creators, we try to make robots in our image.

The Fall raises questions about the self and personal identity by considering how an artificial intelligence governs itself.

Long in the tooth but not without vitality, Mark E. Smith and the Fall are predictable, but satisfactory, on their new album

A "micro opera" involving a Mark E Smith impersonator, caravan holidays, and British fascist punks upholds Haines's reputation as a singular songwriter.

The Fall appear to be enjoying themselves now. But what about the rest of us?

The story Roy tells reflects both their desires, revealed throughout The Fall in brilliantly colored images.

The frightening, wonderful world of Mark E. Smith and the Fall offers decades of music and dozens of albums to sift through for the one that best represents what they are all about.

Mark E. Smith has previously thrived on conflict and controversy, but this time the fallout from yet another dramatic line-up change has resulted in one of the Fall's more disappointing releases.

Punk's last lone standing band of any repute returns with an infectious record that secures their certain doom.

The lavish reissue of the seminal 1982 album by The Fall sounds just as potent today, or perhaps even more so.

PopMatters Music Critic Michael Christopher uncovers the drive that keeps Comes With the Fall going -- DIY style.

Has little to do with mountain climbing and a lot to do with the general situation of humankind.