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Television

Lost In Translation, or, Why 'The Hangover' Can't Just Be 'The Hangover'

Thanks to translation, the cult '60s British show The Avengers is known to French viewers as Chapeau Melon et Bottes de Cuir, literally "bowler hat and leather boots", a title which could be misconstrued for a show about bondage tips and foot fetish.

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Film

The Matrix: I Have No Mouth and I Must Scream

If the first act of The Matrix calls to mind eXistenZ, with Pikel licking Allegra’s bio-port and sucking gristle and skin from a gun, its third act is as antiseptic as a bad Star Trek rerun.

Books

Life Between Two Deaths, 1989-2001, by Phillip E. Wegner

Wegner depicts this period in recent history as open to all possibilities, possibilities that come crashing down with the World Trade Center attacks and the subsequent War on Terror.

Film

Part 1: The Thin Red Line to Star Wars Episode I (January - May 1999)

The first part of PopMatters' look back at the films of 1999 is bookended by the long awaited return of two cinematic auteurs of wildly different styles, Terrence Malick and George Lucas.

Books

Radical Alterity by Jean Baudrillard

Philosophy has often foregone its search for truth in favor of trumpeting a perceived tectonic ontological crisis: “Hark! The Internet, reality TV, Disney World, America! The sky is falling!”

Books

The Complex by Nick Turse

This could've been written while sitting at one desk and never even seeing the inside of the Pentagon, or any military establishment, or speaking to a single person with any knowledge on the subject.

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Part 5: The Return of the Auteur

That noise you heard near the start of the new millennium was the creative din of a brash new breed of filmmakers tearing down the traditions of mainstream moviemaking. Their motion picture mission statements -- including the ones featured on this list -- remain the rulebook for new generations of anxious film artists.

Film

Future Shock: The Death of Serious Science Fiction

The serious Science Fiction film genre is dead or at least on cinematic life support. As the new millennial marches forward, and an omnipresent production paradigm that substitutes spectacle for smarts, futurist filmmaking is definitely gasping for breath.

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