Who is man? Who is monster? Apollonian and Dionysian dichotomies are at play in the video game series, The Witcher, soon to be a Netflix series.
The Witness always loops back on a single article of faith, a faith in observable phenomenon, a faith that with enough sensory observation, solution is possible.
There’s a common assumption that a story starring kids is also for kids, and that a kid’s story is inherently less complex, less nuanced, and simply lesser in quality.