The new reissue of American composer Robert Ashley's 1978 quasi-ambient prelude to his later operatic works balances gracefully between quotidian consciousness and graceful profundity in a way that's still not quite like anything else.
An unexpurgated account of an extraordinary life could, in lesser hands, have been a misery memoir. But Duff created a delightful literary work throughout which, even when revisiting the darkness of his past, he sprinkles gaiety and humour.
If you don't share Wendy Wasserstein's obsessions you may wonder what all the fuss is about, but Julie Salamon demonstrates how Wasserstein learned to dramatize her vulnerability to make people like both her and her plays.
"Too Much Light Makes the Baby Go Blind" is the longest running show in Chicago history, despite the fact that it completely changes every week. PopMatters sits down with Neo-Futurist founder Greg Allen for a one-of-a-kind discussion ...