Barb Jungr reflects on what draws her to Bob Dylan and Jacques Brel's music, and the creative approaches taken to their work on her new album, Bob, Brel, & Me.
The new reissue of American composer Robert Ashley's 1978 quasi-ambient prelude to his later operatic works balances gracefully between quotidian consciousness and graceful profundity in a way that's still not quite like anything else.
Winner of the coveted Carol Tambor Best of Edinburgh Award in 2018, Ulster American is primed to contribute to societal narratives while lampooning contemporary injustices.
Paved with Good Inventions: Norway's Anja Garbarek on Her Journey Back to Music with 'The Road Is Just a Surface'
Just beneath Anja Garbarek's deceptively cool and composed music are the raucous emotions of a fevered storyteller, trying desperately to impart an often startling and vicious truth.
Making Troy Great Again: On Shakespeare's 'Troilus and Cressida' and Trump's Ugly Political Rhetoric
The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.
The End of Endings: How 'Harry Potter and the Cursed Child' and Don DeLillo's 'Zero K' Explain the Current State of Storytelling
Somehow, without realizing it, for both DeLillo and Rowling, death, the end of the world, and endings themselves are best emblematized by a dysfunctional father/son relationship.
Putting the sizzle in Summer: The Donna Summer Musical, Ariana DeBose charts her own course to Broadway stardom.
Adam Rapp's characters have to kill and bag children to earn their keep. How does one depict that on stage and on page?
There's something deeply personal and universalistic about Ian Buruma's writing. He acknowledges the multiplicity of possible perspectives without sliding into the rudderless waters of postmodernism.
Forty years after Ray Shell left New York for London, the original Rusty in Starlight Express finds his way home to the East Village.
An unexpurgated account of an extraordinary life could, in lesser hands, have been a misery memoir. But Duff created a delightful literary work throughout which, even when revisiting the darkness of his past, he sprinkles gaiety and humour.