The 25 Best Electronic Albums of 2019

Electronic music is a huge tent with so many diverse approaches, and it's more international than ever with producers around the globe pushing music forward. The year's best albums featured returns from established talents, as well as ground-breaking newcomers, and a host of women changing the old boy's club of electronic music.

                                      
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Reviews

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Liam Gallagher brings the hits, Slaves bring out the anger, and Thom Yorke gets experimental in a cozy first night of the 14th edition of BBK Live.

Thom Yorke provides the finest in dreary ballads and glitchy music at a sold-out solo show at King's Theatre in Brooklyn.

Catching the first two Radiohead shows in New York City practically makes attending the last two essential.

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Radiohead performed "Creep" in New York City for a lucky 15,000 people (give or take).

"Beautiful People" is a perfect amalgamation of Yorke's amazing, understated vocals and Pritchard's soft, light production.

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In jumping forward from the lackluster Pablo Honey, Radiohead finally started becoming the Radiohead that is idolized today.

The Bends was the genesis of Radiohead’s perceptive, forward-thinking tendencies, which would go on to inspire countless musicians in myriad ways.

Amidst a transformational time in the post-Vietnam and post-Reagan eras, The Bends represented a transition between the tumultuous latter half of the 20th century and the new millennium ahead.

Even teenagers two decades removed from The Bends' original release can still find deep emotional connections to its depiction of isolation and dissatisfaction.

The Bends is the 20th century's identity emerging under pressure, forced to search bleakly for some form of cohesion among an increasingly artificial and commercial world.

With The Bends Radiohead left an impressive music video legacy, one that would extend to later masterpieces such as OK Computer.

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No matter how many times someone writes that Radiohead and The Bends “changed the face of music” in 1995, the retail and radio numbers tell a different story.

With The Bends having such strong cultural and critical preconceptions behind it, hearing the album from the perspective of a new lister can help cut through the pre-ordained narrative.

PopMatters begins its look back at Radiohead's The Bends today. Here we examine The Bends track by track, examining it from angles spanning the cultural to the theoretical.

For artists a big as Beyonce, U2, and Thom Yorke, the surprise album release model offers minimal risk and maximal reward. It's a paradigm that's sure to be replicated by others going forward.

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Has this 2010 US campaign season turned into a referendum on women?

The five-track EP from cartoon dancehall duo Major Lazer is greater than the sum of its parts.

Let me speak for L.A. when I say that you are welcome back anytime, Thom.

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