Drew Daniel: "Trump has weaponized a kind of insincere, smarmy trolling manner. I didn't want music that similarly relied upon that stance. I wanted something that was, in a way, the opposite. Something that felt affirmative and warm."
Matmos' Drew Daniels rebrands his solo work to meet the trying times, offering up an ambient techno classic for the ages under his Soft Pink Truth moniker.
Avant-garde drummer Jim White and folk guitarist Marisa Anderson get together without rehearsing to see what happens on The Quickening.
Chicago-based cellist, Alison Chesley (a.k.a. Helen Money) creates an utterly riveting listen from beginning to end on Atomic.
Revered experimental Japanese noise/punk/jazz band, OOIOO are back with a typically intense and brilliant new album, nijimusi.
Atlanta's Sequoyah Murray has delivered one of the best albums of 2019 with his extraordinary debut Before You Begin.
Electronic musician Markus Popp continues to make warm, creative and adventurous electronic music under the Oval moniker with his new EP, Eksploio.
On their first collaboration since 2016, a meeting of experimental musical minds has produced an album full of quiet, off-kilter introspection.
Experimental electronic duo Emptyset make unrelenting noise on their latest project, Blossoms.
Lightning Bolt's Sonic Citadel is both punishingly noisy and, at times, surprisingly tuneful. People who are on Lightning Bolt's exceedingly loud, improvisational vibe will find plenty to like here.
Folk duo House and Land's Across the Field is a collection of songs that consider historical context as much as modern relevance.
