Teen Horror Film ‘Cuckoo’ Is a Deliriously Fun Mess
For his teen horror film Cuckoo, director Tilman Singer tries to tame his wild and creative imagination into something more commercially friendly, with mixed results.
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Thriller ‘The White Rabbit’ Ensnares Viewers in Hitchcockian Fashion
Thriller short film The White Rabbit ensnares viewers with a joke, a nightmare, and an illusion in a sly interplay that evokes Hitchcock’s Rear Window.
Retro Monsters and Sexual Politics Dominate These Three Sci-Fi Movies
Sci-fi movies Unknown Terror, The Colossus of New York and Destination Inner Space inject monsters into personal melodrama for masculine redemption.
Familial Neurosis in ‘Never Open That Door’ Film-Noirs
The family is the source of neurosis, and any hint of an allegedly happy ending in these three film-noirs must happen over someone’s dead body.
Department Q Film ‘Boundless’ Unravels
Jussi Adler-Olsen’s Department Q crime thriller The Hanging Girl unravels in its 2024 film adaptation by Ole Christian Madsen, Boundless.
Crime Sells in TV: ‘The Responder’, ‘Shardlake’, and ‘Eric’
For compelling and worrisome reasons, crime sells in our TV entertainment. The Responder, Shardlake, and Eric feed our brutal compulsion in varying ways.
Nordic Noir in Transition: Jussi Adler-Olsen’s ‘Department Q’ Books on Film
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
21 Beacon Street’s Impossible Missions
In 13 episodes, lost TV wonder 21 Beacon Street is an uncanny and legally actionable precursor to the Mission Impossible franchise.
Alex Garland’s ‘Civil War’ Refuses Righteousness
Alex Garland’s Civil War refuses righteousness. Instead, it takes a hard, unflinching look at the true costs of war for everybody and everything it touches.
Three TV Shows That Promise an Intriguing Viewing Experience
These three TV shows of early spring 2024 are the most compelling, mind-boggling, and expensive-looking ones to watch before you go back out in the sun.
Film Noir Trio Showcases Edward G. Robinson on All Sides of the Law
The films in Film Noir: The Dark Side of Cinema XVII are united by one of Hollywood’s greatest actors, the almost casually brilliant and magnetic Edward G. Robinson.
Kore-eda Hirokazu’s ‘Monster’ Falls Short of Its Literary Ambitions
Kore-eda Hirokazu’s Monster has striking moments, but casually skips over details, reducing its characters to incomplete fragments.