Protomartyr's story of the USA is the "Paradise Papers" of a country that officially considers itself a developed nation but in fact is developing in the wrong direction -- and everyone knows it.
One of the most heartening and compelling aspects of David Lynch's approach to this new season of Twin Peaks is his widened musical palette.
Human fits alongside the works of Alabama Shakes and Nathaniel Rateliff & the Night Sweats, but can Rag'n'Bone Man's distinctive gospel-blues voice find a place on the American charts?
Chastity Belt's latest is a killer album, laid back but upbeat, honest and laser sharp, a highly unified piece of work by four people who know exactly what they want to say and how to say it.
In "First We Take Manhattan", Leonard Cohen recognized the shared appeal of extremism in politics and art as the allure of power.
"Love" makes me wonder if we've misheard Del Rey's use of nostalgia, mistaking it for the rose-colored (and heart-shaped) variety when instead it produces a fog.
America's working poor exist in a shadow cast by the harsh light of prosperity. "Working Poor" speaks from those shadows, creates light within that space, and insists on being heard.
Their style is loose, but not without form; cluttered, though sometimes spare; common, but not ordinary; discounted, but not cheap; public, but out-of-the-way; historical, but liable to disappear at any moment.