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Julia

Julia is a mix of fantasy and tragedy, with the violence amped up and the background noisy and lurid.

Film

Summer of Same: May 2009

May's titles include the fourth films in two aging franchises, more Pixar perfection, and the reboot of a TV series from 40 years ago. And they say there are no new ideas.

Film

The New Classics - The 30 Best Films of 2008

Unlike previous years, where classics came crawling out of the celluloid woodwork with regular reckless abandon, 2008 was more calm… and considered. That's not to say that choosing 30 top titles was hard. The difficulty in placing them in some manner of rank order suggests the actual depth of quality involved.

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Iconic - The Top 20 Male Performances of 2008

Like the gladiators of old, 2008 resembles a battle of formidable acting gods, especially when looking over the 20 choices presented below. Indeed, if anything, choosing a winner requires more of a leap of faith than any amount of critical skill - they all were that good.

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The Curious Case of Benjamin Button

It's an inelegant but provocative means to measure Benjamin and Daisy's ostensibly transcendent connection: as he grows young and she grows old, they share but a single moment when their bodies and visions and hopes can easily coincide.

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Burn After Reading

Ozzie (John Malkovich) embodies the problem of the CIA, of the "intelligence community," which is that it reacts to data, then fashions a story about it to comport with the reaction.

Film

Talk, Talk, Talk: December 2008

Just like the end of an inspiring speech that may or may not succeed in making its point, these final four weeks before 2009 tend to define or defeat the entire awards season purpose.

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Performance Art: The Best Acting of 2007 - Male

From the tender and eerie precision of Sam Riley's depiction of Joy Division singer Ian Curtis in Control to yet another superlative performance by Daniel Day-Lewis in There Will Be Blood, PopMatters highlights the best male actors of 2007.

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Strange Culture

Strange Culture presents Kurtz's bizarre legal and political predicament within layers of context, having to do with fears of terrorism and art, the Patriot Act and U.S. prosecutorial zealousness.

Film

Michael Clayton

The film's strength lies in its poetic inclinations, its meditation on the ways that money, politics, and fear shape moral choices.

Film

Constantine (2005)

Doubting his mission and his faith even as he's consumed by them, Constantine is an achingly topical comic book/movie hero.

Cynthia Fuchs
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