The best films of 2010 include a fake documentary, a comedy about Jihad, a vampire story NOT dealing with tacky tween romance, a haunting hillbilly noir, and an elegant tale about clones. Not necessarily the usual cinematic suspects.
100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.
Our second day of "100 Essential Directors" could loosely be described as one that defines "influential." Each of the auteurs sandwiched in between Robert Bresson and David Cronenberg has left a lasting mark on cinema, each employing a signature style that is unmistakable.
Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.
Burton indulges in meticulously designed, deliberately artificial sets, cinematography that makes the world monochromatic, protagonists with pale skin and sunken eyes – but it's that passion coursing beneath the surface that makes this film feel more alive than anything he's done in years.