From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
The Trump-bolstered radical right are akin to fourth-century Christian fanatics who -- in the space of a single generation -- transformed the Roman empire from a state of broadly tolerant religious plurality to one of violence and societal destruction.
Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.
Tiger King -- released during and dominating the streaming-in-lockdown era -- exemplifies in real-time the feedback loop between entertainment and ideology.
When national leadership isn't addressing a pandemic as it should, Larry Kramer, as playwright and activist, pens the only viable response: "Everyone's entitled to good medical care. If you're not getting it, you've got to fight for it."
Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?
The financial crash of 2008-2010 reemphasized that traumatic economic shifts drive political change, so what might we imagine — or fear — will emerge from the COVID-19 depression?