Argentine noir El Vampiro Negro is a visual mastery of Expressionist nightmare with a bravura style that makes film buffs of the high studio era swoon.
Director Jonathan Cuartas talks with PopMatters about his debut feature film My Heart Can’t Beat Unless You Tell It To, which looks at victims America doesn’t care about.
Why do horror fans take Romero's 1978 indie masterpiece so personally? A close look at the film, its novelization, its soundtrack, the Soft Cell pop song it inspired, and other pop culture obsessions.
Vampiro-lesbo-culture is shown to be titillating yet untenable in this male-made movie that proves even men can’t make a bad lesbian vampire movie.