Featured: Top of Home Page/MusicThe Bull of Phalaris, or the Ambiguity of Musical Violence By Chadwick Jenkins / 11 October 2007
Featured: Top of Home Page/MusicThe Sounds of Now: Steve Reich and the Transmogrification of the Banal By Chadwick Jenkins / 7 August 2007
Featured: Top of Home Page/MusicThe Profound Consolation: The Use of Bach’s Music in the Films of Ingmar Bergman (Part 4) By Chadwick Jenkins / 19 July 2007
Featured: Top of Home Page/MusicOn Lexus, Hairapy, and the Scherzo from Beethoven’s Ninth (with a nod to Kubrick) By Chadwick Jenkins / 7 June 2007
Featured: Top of Home Page/MusicClassical Radio Communities: Thoughts on Mediation By Chadwick Jenkins / 26 April 2007
Featured: Top of Home Page/MusicWhy Don’t the Planets Speak?: An Inquiry Into Music and Language By Chadwick Jenkins / 22 March 2007
Featured: Top of Home Page/MusicThe Sounds of Now, Part Three: Anthony Braxton and the Ethics of Improvisation By Chadwick Jenkins / 22 January 2007
Featured: Top of Home Page/MusicThe Profound Consolation: The Use of Bach’s Music in the Films of Ingmar Bergman (Part 3) By Chadwick Jenkins / 2 January 2007
Featured: Top of Home Page/MusicThe Profound Consolation: The Use of Bach’s Music in the Films of Ingmar Bergman (Part 2) By Chadwick Jenkins / 15 November 2006
Featured: Top of Home Page/MusicThe Profound Consolation: The Use of Bach’s Music in the Films of Ingmar Bergman (Part 1) By Chadwick Jenkins / 13 October 2006
Featured: Top of Home Page/Music/PopMatters PicksAn Overheard Conversation Concerning Musical Taste By Chadwick Jenkins / 10 September 2006
Featured: Top of Home Page/Music/PopMatters PicksThe Sounds of Now: Meredith Monk’s Contemporary Classical Music By Chadwick Jenkins / 10 August 2006
