With Girls Against God, avant-garde musician Jenny Hval gives us a semi-autobiographical text that, like the metalhead teen she describes, won't abide by any rules.
Vigdis Hjorth's Long Live the Post Horn! is a study in existential torpor that, happily, does not induce the same condition in the reader.
Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?
Anti-fascist militants have played an important role in protecting community and democracy. Daniel Sonabend's We Fight Fascists brings light to that battle against fascism in post-war Britain.
In a brave new world dominated by platforms such as Facebook, Uber, and Airbnb, and marked by anxiety in the Age of the Anthropocene, McKenzie Wark's Capital Is Dead eschews digital utopianism for a sense of urgency that recognizes things have gotten serious.
Punching Nazis, Natasha Lennard contends, is merely the natural edge of a spectrum which also includes controlling our own tendencies toward fascist acts in everyday life.
Being humble and peaceable are not virtues, according to Oscar Wilde, as seen in his collection of essays, In Praise of Disobedience, disobedience and rebelliousness against inequality and tyranny are much more valuable to humankind.
'Creativity' in today's corporate speak requires a familiarity with the popular culture that's admired by the white and the well-to-do. It has nothing to do with actual creativity.
By adopting a populist strategy, the left could finally overcome neoliberalism, replacing it with a deeper, kinder and more radical form of democracy, Mouffe argues.