
How Coppola and Faulkner Made Art from Apocalypse
Coppola’s Apocalypse Now and Faulkner’s “The Bear” deliberately confuse and disquiet our comprehension of slavery’s traumatic past.

Coppola’s Apocalypse Now and Faulkner’s “The Bear” deliberately confuse and disquiet our comprehension of slavery’s traumatic past.

JakoJako’s Tết 41 is a truly artful work of modular synthesizers, compelling even at its most sedate and brilliant when it opens further.
Director Peter McDowell’s search for his missing brother led to the creation of Jimmy in Saigon, a documentary that also captures gay life in war-era Vietnam.
Sublime Frequencies’ Mien Yao may be a work of preservation and posterity, education, or meditation. Its careful production allows for all of these things.

A Vietnamese family's song resounds over the effects of decades of tumult in Nguyen Phan Que Mai's excellent novel, The Mountains Sing.
With Nothing Ever Dies, Viet Thanh Nguyen foregrounds a discussion vital to the future of authentic storytelling, memory-making, history recording, and art.