From satire and portraiture to politicized pop, ¡Printing the Revolution! examines how artists created visually captivating graphics that catalyzed audiences. Enjoy this visually gorgeous excerpt courtesy of The Smithsonian American Art Museum and Princeton University Press.
With Similar Canvas, Brooklyn-based experimental quartet JOBS works closely with visual artist Sam King to create a striking single that feeds off another art form.
By turns alarming and awe-inspiring, Jessica Helfand's Face: A Visual Odyssey offers an elaborately illustrated A to Z—from the didactic anthropometry of the late 19th century to the selfie-obsessed zeitgeist of the 21st. Enjoy this excerpt of Face, courtesy of MIT Press.
Mitchell B. Merback exploits the cryptic nature of Albrecht Dürer's Melencolia I in order to encourage deeper speculation into one's self and the manner in which one engages with the world through the oft-misunderstood condition of melancholy.
In this beautiful excerpt from Lorna Simpson Collages, Chronicle books shares with PopMatters readers' selections from the renowned artist's collection and a poignant introduction by award-winning poet, Elizabeth Alexander.
As Splendor and Misery in the Weimar Republic conveys, Expressionism seems to proclaim, we feel alike; whereas New Objectivity doesn't attempt to express alienation -- it induces it.
Hugh Fleetwood’s chilling and dark mysteries deal with psychologically-damaged characters whose actions are usually the result of some personality disorder often undisclosed to everyone but the reader.