
How Coppola and Faulkner Made Art from Apocalypse
Coppola’s Apocalypse Now and Faulkner’s “The Bear” deliberately confuse and disquiet our comprehension of slavery’s traumatic past.

Coppola’s Apocalypse Now and Faulkner’s “The Bear” deliberately confuse and disquiet our comprehension of slavery’s traumatic past.

Ray Mendoza and Alex Garland’s taut and astringent Iraq War film, Warfare, is horrifying but also quite human.