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Stony Plain Records rounds up lost tapes from Canadian country/folk legends Ian and Sylvia Tyson performing as Great Speckled Bird in 1969. It was a very good discovery, indeed.

                                      
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Stony Plain Records rounds up lost tapes from Canadian country/folk legends Ian and Sylvia Tyson performing as Great Speckled Bird in 1969. It was a very good discovery, indeed.

Not their first foray into bringing the short story form to cinema, the Coen Brothers' The Ballad of Buster Scruggs affirms, sadly, that in this regard, cinema is the lesser storytelling form.

The inability to communicate truthfully and accurately runs like a red thread through the course of Robert M. Young's western, The Ballad of Gregorio Cortez.

In the Coen Brothers' The Ballad of Buster Scruggs, there's something altogether new about having revisionist western ideas filtered through their rich sense of character, black comedy, and their penetrating awareness of humanity's fatal imperfections.

Jacques Audiard's revisionist Western shines thanks to moral quandaries and John C. Reilly's performance.

It's not enough to describe Dead Man as simply an anti-western; it's an iconoclastic deconstruction of late 19th Century American values and mores, many of which remain unabated more than a century later.

Lisa Hanawalt's work is proof that even a genre as seemingly played-out as the western can reveal a rich landscape if the right hands are holding the reins.

Throughout his career, Fairbanks scrubbed his scripts of racist elements. The Half-Breed is a rare example when racism is foregrounded as a theme.

Loo Hui Phang emphasizes the nature of image-making from the first panel: an upside landscape as viewed through the inverting lens of the protagonist's camera.

Sibling directors Elan and Jonathan Bogarin deliver vastly different stories about the power of the past.

In this tale of the formation of Texas, a roof over one's head is antithetical to freedom.

Mixing the classic themes of the American western with splashes of modernity makes for a attention-grabbing tale of salvation.

Eric and Leigh Gibson continue to innovate with a collection of bluegrass covers dedicated to fellow bands of brothers.

Double Take heads out West and into the disfigured psyche of John Wayne's Ethan Edwards. Do we figure him? That'll be the day.

The New York keyboard extraordinaire reasserts himself to the top of the heap with the uncanny fusion of country and jazz.

The archetype of the spaghetti western finds its truest expression in this essential film from Sergio Leone.

Two blasts of existentialist disquiet and hallucination from the stable of Roger Corman, these two Westerns launched the career of a major alternative filmmaker in Monte Hellman.

In a new look at the legendary outlaw, Christopher Bowman plays a teenage Billy the Kid whose fate is shaped by violence in the small New Mexico town where he lives with his mother.

There is arguably no more true complexity of thought to Michael Cimino’s script than there is to Lawrence Kasdan’s for Raiders of the Lost Ark.

If you’re looking for a crackling good yarn that elevates itself over simple genre trappings, you should look no further than The Sisters Brothers.

Columbia reissues the album that launched Billy Joel's career into the stratosphere 38 years ago, along with an intimate live radio set that fills in some of the blanks.

Quentin Tarantino is reliving his childhood cinema experiences, reinterpreting fractured moments of memory. Going to the movies is about an escape from our world, a mirror world at once familiar yet different.

Justified has the thrilling shootouts, but its success owes more to a rare attribute in action television: charm.

Kelly Reichardt's Meek’s Cutoff is an outsider's Western. If we were looking for a female counterpart to Gus Van Sant, I think we may have found her.

If you are already a fan of Lonesome Dove, then you will probably enjoy Streets of Laredo and Dead Man’s Walk.

Fred Olen Ray saw The Assassination of Jesse James by the Coward Robert Ford and was inspired to make his own James-based film. The aforementioned is a great movie, but alas, American Bandits is not.

Frontier Doctor's church-prescribing gumdrop-toting hero comes face to face with the unthinkable: a tough-talkin' hard-done bad-girl with money on her mind (gulp).

Though not a “political film”, it’s tough to argue against some level of socio-political implication of two multi-ethnic foreigners traipsing around idyllic western France, looking for stability.

Sergio Leone never met a portentous entrance he didn't like.