
Capitalism’s Moral Rot in Three New York-Centered Films
Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.

Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.

Cruising, once denounced as homophobic pulp, is now being reassessed as a daring exploration of performance, identity, and the psychic costs of repression.
Early 1970s Britain was blighted by high inflation, industrial action, and power cuts, and the three-day work week. Tubular Bells‘ turbulent emotions mirror the era’s deep anxieties.
