Sometimes, rarely, a work is so good (so well-conceived, so well-executed) that it simply breaks our traditional expectations of comics literature. And this breaking allows us to glimpse the true, rare promise of what the industry can achieve. Davids Lapham and Aja's Wolverine: Debt of Death is this work.
With The Homeland Directive writer Robert Venditti offers a deep and meditative work on the nature of personhood in an era of mass marketing. Easily the equal of the illustrious works of John Reed or Jonathan Franzen, The Homeland Directive elevates both the political thriller genre and the comics medium.
In the 20-plus years since cyberpunk threw down a gauntlet to science fiction and stormed the cultural gates, its vision has been praised, criticized, absorbed, and integrated into the mainstream. Does post-cyberpunk have something new to offer?