Featured: Top of Home Page/TelevisionAnthologies, ‘American Horror Story’, and the Disposability of Pulp Storytelling By Fergus Halliday / 25 February 2015 This show embraced its reputation for the weird and the strange, but it's storytelling methods are among the messiest in television.
Featured: Top of Home Page/Television“We’re in a Very Gray Area”: Looking Back on ‘House of Cards’, Chapter One By Rebecca Theodore / 15 October 2014 House of Cards might be gearing up for its third season, but the very first episode of the series is the most telling indication of how Netflix is helping television break new ground.
Featured: Top of Home Page/TelevisionThe Class Conciousness of Judge Judy By Cary O'Dell / 16 September 2014 Judge Judy has been on the air for almost 20 years now, a legacy that continues to be built on the exploitation of others.
Featured: Top of Home Page/Television‘True Detective’ and the Death of Television Criticism By Jon Lisi / 23 June 2014 Something has gone wrong if critics consider True Detective the best that contemporary television has to offer.
Featured: Top of Home Page/TelevisionAddressing America’s Brutal Past in ‘The Address’ By Jon Lisi / 2 May 2014 The Address shows that there’s no point to public education if students don’t walk away with useful lessons for life.
Featured: Top of Home Page/TelevisionWhy ‘The Amazing Race’ Can’t Lose By Cary O'Dell / 21 April 2014 With rare exception CBS's Amazing Race has had a lock on the annual Emmy, but its wins are more about formula than quality.
Featured: Top of Home Page/TelevisionThe Tested Truth About ‘Maury Povich’ By Cary O'Dell / 12 November 2013
Featured: Top of Home Page/TelevisionThe Downfall of the News Junkie By Cary O'Dell / 30 October 2013
Featured: Top of Home Page/TelevisionTotal Divas on E!: Just Switch it Off By Kit MacFarlane / 20 August 2013
Featured: Top of Home Page/TelevisionSigns & Wonders: Television Ads As Pop Art By John Grassi / 21 May 2013