
Radiohead’s ‘A Moon Shaped Pool’ Is Gorgeous and Moving
Radiohead operate in an entirely different dimension than anybody else in music. They don’t bother with arbitrary boundaries or definitions about what rock should be.

Radiohead operate in an entirely different dimension than anybody else in music. They don’t bother with arbitrary boundaries or definitions about what rock should be.

Danny L Harle finds new ways to express his ideas through bright, euphoric Europop synths and thumping beats. Cerulean is uplifting and adventurous.

Much of hooke’s law is a cry for help from the voice within. keiyaA says she would do anything to see god or find a purpose. Like a spring, she is resilient.
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
King Krule’s Space Heavy is a wild listening experience, more muted and introspective than past outings and seemingly reflecting our pandemic moment.

The Smile aren’t a full-on syncretism of Radiohead and Sons of Kemet, but A Light for Attracting Attention proves that it needn’t be.
Experimental electronic producer Arca returns with a stunning new video for her two latest songs, “Prada” and “Rakata”.
Canadian jazz/hip-hop band BadBadNotGood’s Talk Memory sees them ascend towards more bold and elaborate heights than ever before.
Lyrically and sonically, Smerz’s Believer is a bold, risk-taking LP that charts a wild, uneven ride through trance, classical, R&B, and hip-hop.
Radiohead frontman Thom Yorke's third solo album ANIMA offers relatively peppy music to accompany his unsurprisingly bleak lyrical worldview, but it all works rather wonderfully.
A sensual, gossamer presence among the hovering musical chords, Willis Earl Beal gently presses the wealth of his soul’s burdens into the wide, open skies.