Asylum Records was famously home to the finest singer/songwriters of the '70s, including Joni Mitchell and Judee Sill. But, as a Japanese reissue of another woman's work proves, some of its biggest talents went unnoticed. Charles Donovan talks to Karen Alexander.
Loose Ends cultivated an art in supreme sophistication with their groundbreaking experiments in British soul and R&B during the '80s. Decades later, their music remains as potent as it was when it first graced the airwaves and clubs of both the UK and US.
Into 1988's pop music climate came “Under the Milky Way”, a moody, jangly song that didn’t fit in. Its closest contemporaries were R.E.M. and the local “paisley underground” scene of Los Angeles, which included bands like the Bangles and Rain Parade.
In Utero has always been thought of in the context of conflict, so it's only appropriate that Nirvana would mark its 20th anniversary by reviving the debate over what the album was supposed to sound like versus what it turned out to be.
Some 25 years ago, Q Lazzarus' sole hit, the hypnotic dance-thump that is "Goodbye Horses", soundtracked a fairly popular Jonathan Demme movie. Amazingly, it wasn't Silence With the Lambs. With an anniversary vinyl release upon us, we dig up even more facts about this glorious pop anomaly ...
So, sure, young people really don’t get or know the real Blue Öyster Cult it seems. Which is a bit of a shame, as the band delivered a number of solid, consistent albums that rank up there in the metal and hard rock/classic rock pantheon.