Music

The 90 Best Songs of 2015

From electronic to Americana... from R&B to country... from hip-hop to rockin' and poppin' indie... 2015 had something great for everyone.

Artist: Panda Bear

Image: http://images.popmatters.com/music_cover_art/p/panda_bear_meets_the_grim_reaper.jpg

Display as: List

List number: 90

Display Width: 200Panda Bear
"No Mans Land"

For whatever reason, Animal Collective always deliver really solid EPs. There was Grass, Water Curses (still my favorite Animal Collective release), Fall Be Kind and now Panda Bear's got his own EP Crosswords, which does more than enough to continue the streak of quality extended players. "No Mans Land" is one of the standouts, sound like Paul Simon on salvia singing over some nasty techno riff. Pretty awesome. The other four tracks on the EP are all very good, begging the question, Why didn't we get to hear these on Grim Reaper? The four new originals are easily better than tracks like "Lonely Wanderer" or "Tropic of Cancer", which I though weighed down what was already a pretty hazy slog of an album. No bother though, this track and accompanying EP are killer, Panda Bear's most solid release since Person Pitch. -- Casey Hardmeyer

 
Artist: Shigeto

Image: http://images.popmatters.com/news_art/s/shigeto-350.jpg

Display as: List

List number: 89

Display Width: 200

Shigeto
"Pulse"

Shigeto's percussion heavy production has never sounded this atmospheric. Thanks to the stuttering vocal sample and the eerie keyboards floating around in the background, it's easy to get lost in the haze. Those clear and clanking chimes hold down the song wonderfully, grounding it when the track could so easily dissipate into mist. It also absolutely deserves the seven minute run time as Shigeto adds layer after layer. The effects are subtle, but by the time a shimmering hi-hat comes in over a trap like snare at the half-way mark, it feels like Shigeto sliced two songs together perfectly. It's an uneasy, but danceable, bliss. -- Nathan Stevens

 
Artist: Murder By Death

Image: http://images.popmatters.com/music_cover_art/b/bigdarklove1.jpg

Display as: List

List number: 88

Display Width: 200

Murder By Death
"Send Me Home"

As with many of Murder By Death's numbers, "Send Me Home" unfurls with a rich, cinematic ambience. Opening with the fleeting organ notes of a church hymnal, it's soon augmented by Adam Turla's dusty baritone and a strummed guitar seeming to emanate from a southwestern desert. Sarah Balliet's mournful cello then winds its way in, amplifying the pathos as Turla assumes the guise of a terminally ill man pleading for a merciful death. It can be an uncomfortable listen, the song masterfully putting you in the positions of both the narrator and the person he's addressing, leaving you to wonder what you would do in either's shoes. Musically and lyrically, there is a shiver-inducing synergy. -- Cole Waterman

 
Artist: Gary Clark Jr.

Image: http://images.popmatters.com/news_art/g/gary-clark-jr-sonny-boy-slim-album-listen.jpg

Display as: List

List number: 87

Display Width: 200

Gary Clark Jr.
"The Healing"

What is this? A new single that rocks? Rare as unicorn teeth, but here it is. He throws everything in: portentous guitars, impassioned backing vocals, super orchestral splashes thrown around for kicks. Essentially it's a track about itself and music in general, the "healing" in the song being the healing of "The Healing". The theme saves the day because lyrically "The Healing" is not that interesting. The only thing better than a song about itself is a song where the singer references himself in a "Move over, Rover / Let Jimi take over" type manoeuvre. Word of advice for young Gary, there can never be an excess of rock. No-one has ever earnestly complained, "This song rocks too much." So feel free to cut loose. The end of the track could have benefited from just that. -- Paul Duffus

 
Artist: Speedy Ortiz

Image: http://images.popmatters.com/misc_art/s/sortiz.jpg

Display as: List

List number: 86

Display Width: 200

Speedy Ortiz
"Raising the Skate"

From the outset, the song rumbles and pummels its way forth, unrelenting as a steamroller. Over sidewinding guitars and a bass that vibrates menacingly, vocalist Sadie Dupuis sings with the fierceness of being on the verge of starting a one-person insurrection. The confidence she exudes could cause one to cower before her or fall behind her in her mission. Come the bridge, the riot dies down for a respite, the guitar strings flickering and Dupuis' voice shifting to a serpentine whisper. When the resurgence happens in more calamitous fashion and Dupuis again snarls, "I'm not bossy / I'm the boss", any lingering doubt regarding her sincerity is incinerated. -- Cole Waterman

 
Artist: Viet Cong

Image: http://images.popmatters.com/news_art/v/viet_cong_self_titled_album_cover.jpg

Display as: List

List number: 85

Display Width: 200

Viet Cong
"March of Progress"

This was a colossal year for drumming. Mike Wallace's tom drums are probably the coolest thing that has ever been recorded, and account for three exhilarating minutes of (soon not to be named) Viet Cong's six-minute epic, "March of Progress", off of their self-titled debut. But just wait. Part deux (2:52) takes a turn for the indie rock Willy Wonka, sailing (with increasing speed!) towards the song's sublime, upbeat outro (4:45). Each movement is so minutely expressed, so thrillingly differentiated, that in six quick minutes you have seen all you need to see of post-punk in 2015, which looks almost nothing like anything that has come before it. -- Ryan Dieringer

 
Artist: Sleater-Kinney

Image: http://images.popmatters.com/music_cover_art/n/no_cities_to_love.jpg

Display as: List

List number: 84

Display Width: 200

Sleater-Kinney
"A New Wave"

There is a tired and true sign of when you're listening to a stellar, life-changing album: your favorite song always changes. Although opening salvo "Surface Envy" satisfied the hard rock kids that inexplicably thought a reunited Sleater-Kinney would somehow be soft (scoff!) and the chorus to No Cities to Love's title track served as a rousing weather-based rallying cry to be sung aloud at every stop on their long-anticipated tour, it was "A New Wave" that served as what is arguably the single most succinct pop moment of the band's entire career, featuring a deft melody line and ascending chorus that outshines most of the glossy Top 40 productions that wish they could make their performances sound as effortless as Sleater-Kinney does here, sucking you in before the guitar solos and drumming on that bridge threaten to make the song, your speakers, and your very skull collapse completely in unison. "No one here is taking notice", the girls shout at the top of the chorus, but for the band themselves, the inverse is true: everyone is taking notice, because with a song this good it's impossible for anyone to tear themselves away. -- Evan Sawdey

 
Artist: Hiatus Kaiyote

Image: http://images.popmatters.com/news_art/c/choose-your-weapon-hiatus-kaiyote.jpg

Display as: List

List number: 83

Display Width: 200

Hiatus Kaiyote
"Breathing Underwater"

This group was initially sold to me as a kind of space-damaged iteration of retro-soul revivalists the Dap-Kings, but their whole album was brimming with neo-soul affectations, smart arrangements, and such a definitive personality right out the great. When I hear "Breathing Underwater", I hear a bit of everything: jazzy undertones, Jill Scott sensibilities, and the kind of vibe that Prince would love to have in one of his touring outfits, but even more than that, I hear a group bursting out the gate with something really unique on their hands. Terrible band name aside, keep this on your radar, as their full-length, Choose Your Weapon, is already one of 2015's sleeper surprises. -- Evan Sawdey

 
Artist: Blur

Image: http://images.popmatters.com/news_art/b/blur-magicwhip.jpg

Display as: List

List number: 82

Display Width: 200

Blur
"Go Out"

"The Puritan" and "Under the Westway" were certainly welcome additions to the Blur ouvre when they were released as a stand-alone single in 2012, even if they seem to lack the hallmarks of a team effort, and skewed a bit closer to Damon Albarn's solo and Gorillaz output. Best to just appreciate it, because it wasn't a given that any more new music would be forthcoming. Then, "Go Out" appeared, somewhat unexpectedly, and turned out to be pretty much exactly what you wanted: Graham Coxon's trademark restless scratching guitar, Alex James and Dave Rowntree's loping rhythm section, and Albarn swapping his long-favored la-la-la's for a jaunt down to the "lo-o-o-o-ooo-caaal". "Go Out" was an instantly rewarding, celebratory first taste of what The Magic Whip would bring. -- Ian King

 
Artist: Delta Rae

Image: http://images.popmatters.com/news_art/d/delta_rae.jpg

Display as: List

List number: 81

Display Width: 200

Delta Rae
"Run"

If a classical composer, a musical theater lyricist, and a folk troubadour walked into a bar and wrote a song, Delta Rae's "Run" is close to what might emerge. The song opens with staccato strings and piano and then adds acoustic guitar, electric bass, and drums to preface and then cushion Brittany Hölljes' operatic vocal. "Run" is the first full-length song on Delta Rae's After It All, a baroquely conceptual album about frontier mythology and a long-term relationship that modulates between ecstasy, fear, and regret. The six-piece band builds songs around dramatic string quartet parts and earnest refrains like "I want to run to feel again", and "Run" matches its lyrical theme -- chasing love, opportunity, and the natural grandeur of the American West -- with a quick BPM and an ambitious vocal workout for Hölljes, which she nails consistently and even seasons with a Björk-like yelp on the final "I want to run!" -- Annie Galvin

Next Page
Music


Books


Film


Recent
Books

In 'Wandering Dixie', Discovering the Jewish South Is Part of Discovering Self

Sue Eisenfeld's Wandering Dixie is not only a collection of dispatches from the lost Jewish South but also a journey of self-discovery.

Music

Bill Withers and the Curse of the Black Genius

"Lean on Me" singer-songwriter Bill Withers was the voice of morality in an industry without honor. It's amazing he lasted this long.

Film

Jeff Baena Explores the Intensity of Mental Illness in His Mystery, 'Horse Girl'

Co-writer and star Alison Brie's unreliable narrator in Jeff Baena's Horse Girl makes for a compelling story about spiraling into mental illness.

Music

Pokey LaFarge Hits 'Rock Bottom' on His Way Up

Americana's Pokey LaFarge performs music in front of an audience as a way of conquering his personal demons on Rock Bottom.

Music

Joni Mitchell's 'Shine' Is More Timely and Apt Than Ever

Joni Mitchell's 2007 eco-nightmare opus, Shine is more timely and apt than ever, and it's out on vinyl for the first time.

Music

'Live at Carnegie Hall' Captures Bill Withers at His Grittiest and Most Introspective

Bill Withers' Live at Carnegie Hall manages to feel both exceptionally funky and like a new level of grown-up pop music for its time.

Music

Dual Identities and the Iranian Diaspora: Sepehr Debuts 'Shaytoon'

Electronic producer Sepehr discusses his debut album releasing Friday, sparing no detail on life in the Iranian diaspora, the experiences of being raised by ABBA-loving Persian rug traders, and the illegal music stores that still litter modern Iran.

Television

From the Enterprise to the Discovery: The Decline and Fall of Utopian Technology and the Liberal Dream

The technology and liberalism of recent series such as Star Trek: Discovery, Star Trek: Picard, and the latest Doctor Who series have more in common with Harry Potter's childish wand-waving than Gene Roddenberry's original techno-utopian dream.

Music

The 50 Best Post-Punk Albums Ever: Part 2, The B-52's to Magazine

This week we are celebrating the best post-punk albums of all-time and today we have part two with the Cure, Mission of Burma, the B-52's and more.

Music

Emily Keener's "Boats" Examines Our Most Treasured Relationships (premiere)

Folk artist Emily Keener's "Boats" offers a warm look back on the road traveled so far—a heartening reflection for our troubled times.

Music

Paul Weller - "Earth Beat" (Singles Going Steady)

Paul Weller's singular modes as a soul man, guitar hero, and techno devotee converge into a blissful jam about hope for the earth on "Earth Beat".

Games

On Point and Click Adventure Games with Creator Joel Staaf Hästö

Point and click adventure games, says Kathy Rain and Whispers of a Machine creator Joel Staaf Hästö, hit a "sweet spot" between puzzles that exercise logical thinking and stories that stimulate emotions.

Music

The 50 Best Post-Punk Albums Ever: Part 1, Gang of Four to the Birthday Party

If we must #quarantine, at least give us some post-punk. This week we are revisiting the best post-punk albums of all-time and we kick things off with Gang of Four, Public Image Ltd., Throbbing Gristle, and more.

Music

Alison Chesley Toils in Human and Musical Connectivity on Helen Money's 'Atomic'

Chicago-based cellist, Alison Chesley (a.k.a. Helen Money) creates an utterly riveting listen from beginning to end on Atomic.

Music

That Kid's 'Crush' Is a Glittering Crossroads for E-Boy Music

That Kid's Crush stands out for its immediacy as a collection of light-hearted party music, but the project struggles with facelessness.

Books

Percival Everett's ​​​'Telephone​​​' Offers a Timely Lesson

Telephone provides a case study of a family dynamic shaken by illness, what can be controlled, and what must be accepted.

Reviews

Dream Pop's Ellis Wants to be 'Born Again'

Ellis' unhappiness serves as armor to protect her from despair on Born Again. It's better to be dejected than psychotic.

Music

Counterbalance No. 10: 'Never Mind the Bollocks, Here's the Sex Pistols'

The Spirit of ’77 abounds as Sex Pistols round out the Top Ten on the Big List. Counterbalance take a cheap holiday in other people’s misery. Right. Now.

Film

'Thor: Ragnarok' Destroys and Discards the Thor Mythos

Taika Waititi's Thor: Ragnarok takes a refreshingly iconoclastic approach to Thor, throwing out the old, bringing in the new, and packaging the story in a colourful, gorgeously trashy aesthetic that perfectly captures the spirit of the comics.

Music

Alps 2 and Harry No Release Eclectic Single "Madness at Toni's Chip Shop in Wishaw" (premiere)

Alps 2 and Harry NoSong's "Madness at Toni's Chip Shop in Wishaw" is a dizzying mix of mangled 2-step rhythms and woozy tranquil electronics.

Reviews
Collapse Expand Reviews
Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.