Music

The Butterfly Assassins: Sylvia

Young group of rock enthusiasts try bridging the gap between prog and baroque, an experiment that would've worked if they remembered to include memorable songs.


The Butterfly Assassins

Sylvia

Label: Old Flame
US Release Date: 2008-04-02
UK Release Date: Available as import
Amazon
iTunes

When the Butterfly Assassins released their self-titled EP early last year, it was an interesting if somewhat bloated affair, as this group of young kids basically decided to get together and find that elusive middle-ground between classical baroque music and home-spun prog rock. It was an interesting experiment, but it couldn't have prepared anyone for the massive leap ahead that is their full-length debut, Sylvia. Here, they abandon all pretenses of being a young band in the MySpace generation and instead dive head first into their classical rock aspirations, at times even taking detours (albeit for only a few seconds) to Tin Pan Alley for on tracks like "Hypocratocracy".

Yet by crossing the avant bridge that could potentially connect DeVotchKa to the Trans-Siberian Orchestra, the group winds up leaving behind the most important aspect to reaching their potential audience: there are absolutely no hooks to be found anywhere on this record. Yes, there are melodies, but the group is so wrapped up in their indulgent, operatic melancholy, there is little room for the listener to sneak in and join the fun, making the whole affair border dangerously close to outright pretension. Their ambitions are admirable, but their execution is horribly flawed, as one winds up leaving the disc without a single memorable song in its wake. It really is a tragedy: a band of such talent deserves songs better than this.

4

To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.


Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09
Amazon

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

Keep reading... Show less
7

Very few of their peers surpass Eurythmics in terms of artistic vision, musicianship, songwriting, and creative audacity. This is the history of the seminal new wave group

The Rock and Roll Hall of Fame nominating committee's yearly announcement of the latest batch of potential inductees always generates the same reaction: a combination of sputtering outrage by fans of those deserving artists who've been shunned, and jubilation by fans of those who made the cut. The annual debate over the list of nominees is as inevitable as the announcement itself.

Keep reading... Show less

Barry Lyndon suggests that all violence—wars, duels, boxing, and the like—is nothing more than subterfuge for masculine insecurities and romantic adolescent notions, which in many ways come down to one and the same thing.

2001: A Space Odyssey (1968) crystalizes a rather nocturnal view of heterosexual, white masculinity that pervades much of Stanley Kubrick's films: after slithering from the primordial slime, we jockey for position in ceaseless turf wars over land, money, and women. Those wielding the largest bone/weapon claim the spoils. Despite our self-delusions about transcending our simian stirrings through our advanced technology and knowledge, we remain mired in our ancestral origins of brute force and domination—brilliantly condensed by Kubrick in one of the most famous cuts in cinematic history: a twirling bone ascends into the air only to cut to a graphic match of a space station. Ancient and modern technology collapse into a common denominator of possession, violence, and war.

Keep reading... Show less
10

Award-winning folk artist Karine Polwart showcases humankind's innate link to the natural world in her spellbinding new music video.

One of the breakthrough folk artists of our time, Karine Polwart's work is often related to the innate connection that humanity has to the natural world. Her latest album, A Pocket of Wind Resistance, is largely reliant on these themes, having come about after Polwart observed the nature of a pink-footed geese migration and how it could be related to humankind's intrinsic dependency on one another.

Keep reading... Show less
Film

Victory Is Never Assured in ‘Darkest Hour’

Gary Oldman in Darkest Hour (2017) (Photo by Jack English - © 2017 FOCUS FEATURES LLC. ALL RIGHTS RESERVED. / IMDB)

Joe Wright's sharp and only occasionally sentimental snapshot of Churchill in extremis as the Nazi juggernaut looms serves as a handy political strategy companion piece to the more abstracted combat narrative of Dunkirk.

By the time a true legend has been shellacked into history, almost the only way for art to restore some sense of its drama is to return to the moment and treat it as though the outcome were not a foregone conclusion. That's in large part how Christopher Nolan's steely modernist summer combat epic Dunkirk managed to sustain tension; that, and the unfortunate yet dependable historical illiteracy of much of the moviegoing public.

Keep reading... Show less
7
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image