Writing the unofficial theme for Sweden’s team at the World Cup didn’t have its desired effect. But The Charade hasn’t stopped thankfully. The Swedish trio sound like a tamer version of The Concretes on songs such as “My Song to You” that has singer Ingela Matsson shining between “ba ba da ba da bas”. Fans of The Perishers would also enjoy some songs, especially the light but infectious pop of “A Tough Decision” and the somber “Dressed in Yellow & Blue” that brings The Delgados to mind. The first true highlight has to be the airy, dreamy “September” that seems to float from start to finish. Just as fine is “Music Makes Me Sick”, a possible complement to The Las classic “There She Goes”. From there, things take a step up with the precious ear candy nugget “Stockholm July 2005” that conjures up images of a refined Pulp. At times Matsson has a cute pop style during “Rain on Your Parade” being a cross between '60s pop and The Carpenters. “Faith” wraps it all up into one delectable retro-pop package.
Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.
"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979
Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.
That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.
"I evolve, I don't…revolve."
-- Alan Partridge
Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.
The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.
In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.
Winner of the 2017 Ameripolitan Music Award for Best Rockabilly Female stakes her claim with her band on accomplished new set.
Lara Hope and her band of roots rockin' country and rockabilly rabble rousers in the Ark-Tones have been the not so best kept secret of the Hudson Valley, New York music scene for awhile now.