It used to be a pure Memorial Day kind of thing. Teens, fresh out of classes and ready to spend, would line up all over this great land of ours, celebrating the memory of those who died to keep us free by going to see a major studio popcorn pic. Like Jerry Lewis' arrival every Labor Day, or the traditional distended credit card bill come Christmas, the Summer Blockbuster season was anticipated and planned for like the exaggerated entertainment D-Day it is. Preview ads would start popping up around mid-Fall, while a teaser would almost always arrive come Super Bowl. Then, just when the marketers thought the masses were growing tired of the title, a full blown trailer would appear, usually formulated to give away as many of the well-kept plotpoints as possible. By the time the end of May rolled around, it felt like you had already seen the overexposed hit. All that was left was to wonder what Will Smith would deliver come 4 July.
Naturally, this commercial course of action needed an accomplice, and for the most part, the co-conspirator was the horribly lackluster spring movie season. For four months (and a few weeks), audiences were expected to attend – and enjoy – studio run-off, bad buzz catastrophes, poorly timed Oscar bait (and switch), and various incarnations of crap cinema. On rare occasions, a good film would actually sneak in, making itself an amiable nuisance for those waiting on the snow and sleet to melt before they'd make their way to the Multiplex again. But more times than not, Hollywood larded its annual landfill with brazen bottom line/feeder fodder. Oddly, all that changed a few years ago. Now, among the slop and stupidity, Tinsel Town occasionally tosses film fans a big fat helping of masterful motion picture.
To be fair, the beginning of 2007 was still pretty pathetic. Ghost Rider proved that Nicholas Cage and comic book super-heroism really don't mesh, while Oscar winner Hillary Swank battled the Apocalypse, and inner city educational malaise – either one, a daunting proposition. We got a few more horror remakes (The Hitcher…The Hills Have Eyes 2…Epic Movie) and some less than appealing family fare, including Arthur and the Invisibles and The Last Mimzy. Amidst all the hokum and hackwork, sophomore slumps and high concept crud, a few films actually managed to distinguish themselves. In fact, some of the Spring's best may end up holding on to that title come the end of December – they were just that strong. And of course, with every stroke of genius, there must come an equal and opposite atrocity – and this year, there were some doozies. In fact, SE&L's picks for the Best and Worst of Spring 2007 expertly illustrate the massive chasm between the great and the god-awful quite well.
5. Black Snake Moan
1. Hot Fuzz
5. Wild Hogs
3. Hannibal Rising
2. Code Name: The Cleaner
1. Are We Done Yet?